Musical Sense-Making broadens the scope of musical sense-making from a disembodied cognitivist approach to an experiential approach.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mark Reybrouck is emeritus professor at the University of Leuven (KU Leuven) and guest professor at Ghent University, Belgium.
Inhaltsangabe
Chapter 1: Introduction Chapter 2: Musical Sense-Making: Enaction, Experience, and Computation Chapter 3: Sense-Making and the Enactive Approach Chapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential Approach Chapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied Claims Chapter 6: From Interaction to Sense-Making Chapter 7: Music and the Extended Computational Approach Chapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology
Chapter 1: Introduction Chapter 2: Musical Sense-Making: Enaction, Experience, and Computation Chapter 3: Sense-Making and the Enactive Approach Chapter 4: Musical Meaning: Representational-Computational versus Dynamic-Experiential Approach Chapter 5: Experience and Interaction: Ecological, Cybernetic, and Embodied Claims Chapter 6: From Interaction to Sense-Making Chapter 7: Music and the Extended Computational Approach Chapter 8: Perspectives and Future Epistemology: Social Cognition, Dynamical Systems Theory, and Neurophenomenology
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