This book sets out to explore intersections between multiple scales and kinds of musical spaces. It complements the investigation of broader power structures and place-based identities by a detailed focus on the moments of music-making and musical environments, revealing the mutual shaping of these levels.
This book sets out to explore intersections between multiple scales and kinds of musical spaces. It complements the investigation of broader power structures and place-based identities by a detailed focus on the moments of music-making and musical environments, revealing the mutual shaping of these levels.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James Williams is an ethnomusicologist and senior lecturer at the University of Derby, UK. His PhD, from the University of Wolverhampton, UK (2016), focused on the collaborative and creative interactions between professional musicians, while his current research concerns behavioural, socio-cultural, and creative processes in wellbeing and education. Samuel Horlor is a postdoctoral fellow at the Center for Ethnomusicology, Yunnan University, China. He specialises in research on street performance, Chinese pop, and music in urban life. Samuel is the author of Chinese Street Music: Complicating Musical Community (Cambridge University Press, 2021) and articles in journals including Ethnomusicology Forum and Asian Music.
Inhaltsangabe
Part I (Trans)local Musical Spaces 1. Musical Spaces and Deep Regionalism in Minas Gerais, Brazil 2. 'Trapped in Oklahoma': Bible Belt Affect and DIY Punk 3. Musical Pathways through Algerian-London 4. Dancing to the Hotline Bling in the Old Bazaars of Tehran Regionality in Learning and Heritage 5. Performing Local Music: Engaging with Regional Musical Identities through Higher Education and Research 6. Preserving Cultural Identity: Learning Music and Performing Heritage in a Tibetan Refugee School 7. Claiming Back the Arctic: Evaluating the Effectiveness of Music as a Voice for the Indigenous Subaltern Music and Spatial Imaginaries 8. 'He Is a Piece of Granite...': Landscape and National Identity in Early Twentieth-century Sweden 9. War, Folklore, and Circumstance: Dimitri Shostakovich's Greek Songs in Transnational Historical Context 10. 'O Monstrous! O Strange!': Culture, Nature, and the Places of Music in the Mexican Sotavento 11. Journeys to Plastic Beach: Navigations across the Virtual Ocean to Gorillaz' Fictional Island Part II Music-Making Environments 12. Person ¬Environment Relationships: Influences beyond Acoustics in Musical Performance 13. The Social and Spatial Basis of Musical Joy: Folk Orc as Special Refuge and Everyday Ritual 14. Echoes of Mongolia's Sensory Landscape in Shurankhai's 'Harmonized' Urtyn Duu Designing Creative Spaces 15. Staging Ariodante: Cultural Cartographies and Dialogical Performance 16. Musicians in Place and Space: The Impact of a Spatialized Model of Improvised Music Performance 17. Space, Engagement, and Immersion: From La Monte Young and Terry Riley to Contemporary Practice Musical Spaces and Power 18. Micronational Spaces: Rethinking Politics in Contemporary Music Festivals 19. Construction of Protest Space through Chanting in the Egyptian Revolution (2011): Musical Dimensions of a Political Subject 20. Bethlem, Music, and Sound as Biopower in Seventeenth-Century London Epilogue: Towards More Geographic Musicologies
Part I (Trans)local Musical Spaces 1. Musical Spaces and Deep Regionalism in Minas Gerais, Brazil 2. 'Trapped in Oklahoma': Bible Belt Affect and DIY Punk 3. Musical Pathways through Algerian-London 4. Dancing to the Hotline Bling in the Old Bazaars of Tehran Regionality in Learning and Heritage 5. Performing Local Music: Engaging with Regional Musical Identities through Higher Education and Research 6. Preserving Cultural Identity: Learning Music and Performing Heritage in a Tibetan Refugee School 7. Claiming Back the Arctic: Evaluating the Effectiveness of Music as a Voice for the Indigenous Subaltern Music and Spatial Imaginaries 8. 'He Is a Piece of Granite...': Landscape and National Identity in Early Twentieth-century Sweden 9. War, Folklore, and Circumstance: Dimitri Shostakovich's Greek Songs in Transnational Historical Context 10. 'O Monstrous! O Strange!': Culture, Nature, and the Places of Music in the Mexican Sotavento 11. Journeys to Plastic Beach: Navigations across the Virtual Ocean to Gorillaz' Fictional Island Part II Music-Making Environments 12. Person ¬Environment Relationships: Influences beyond Acoustics in Musical Performance 13. The Social and Spatial Basis of Musical Joy: Folk Orc as Special Refuge and Everyday Ritual 14. Echoes of Mongolia's Sensory Landscape in Shurankhai's 'Harmonized' Urtyn Duu Designing Creative Spaces 15. Staging Ariodante: Cultural Cartographies and Dialogical Performance 16. Musicians in Place and Space: The Impact of a Spatialized Model of Improvised Music Performance 17. Space, Engagement, and Immersion: From La Monte Young and Terry Riley to Contemporary Practice Musical Spaces and Power 18. Micronational Spaces: Rethinking Politics in Contemporary Music Festivals 19. Construction of Protest Space through Chanting in the Egyptian Revolution (2011): Musical Dimensions of a Political Subject 20. Bethlem, Music, and Sound as Biopower in Seventeenth-Century London Epilogue: Towards More Geographic Musicologies
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
