Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway, this book explores the ways in which musical theatre reaches out to and involves its audiences. It investigates how pleasure is stimulated by vocal, musical and spectacular performances.
Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway, this book explores the ways in which musical theatre reaches out to and involves its audiences. It investigates how pleasure is stimulated by vocal, musical and spectacular performances.
Dr Millie Taylor, Reader in Performing Arts, University of Winchester, UK
Inhaltsangabe
Introduction Chapter 1 Musical Characterisation in HMS Pinafore and The Rocky Horror Show Chapter 2 Encoding the Voice Chapter 3 Integration and Distance in Musical Theatre Chapter 4 Layers of Representation and the Creation of Irony Chapter 5 Alternatives to Linearity: Cabaret, Kiss of the Spider Woman and Assassins Chapter 6 Illusions of Realism in West Side Story and Actor-Musician Performances Chapter 7 Experiencing Live Musical Theatre Performance: La Cage Aux Folles and Priscilla, Queen of the Desert Chapter 8 I've Heard that Song Before Chapter 101 Conclusion
Introduction Chapter 1 Musical Characterisation in HMS Pinafore and The Rocky Horror Show Chapter 2 Encoding the Voice Chapter 3 Integration and Distance in Musical Theatre Chapter 4 Layers of Representation and the Creation of Irony Chapter 5 Alternatives to Linearity: Cabaret, Kiss of the Spider Woman and Assassins Chapter 6 Illusions of Realism in West Side Story and Actor-Musician Performances Chapter 7 Experiencing Live Musical Theatre Performance: La Cage Aux Folles and Priscilla, Queen of the Desert Chapter 8 I've Heard that Song Before Chapter 101 Conclusion
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