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This book presents a long overdue examination of the turbulent relationship between musicians and audiences.
This book presents a long overdue examination of the turbulent relationship between musicians and audiences.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 244
- Erscheinungstermin: 7. Februar 2019
- Englisch
- Abmessung: 234mm x 156mm x 13mm
- Gewicht: 386g
- ISBN-13: 9780367230579
- ISBN-10: 0367230577
- Artikelnr.: 56923960
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 244
- Erscheinungstermin: 7. Februar 2019
- Englisch
- Abmessung: 234mm x 156mm x 13mm
- Gewicht: 386g
- ISBN-13: 9780367230579
- ISBN-10: 0367230577
- Artikelnr.: 56923960
Ioannis Tsioulakis is a Lecturer in Anthropology at Queen's University Belfast. In the past he has lectured at University College Cork and University College Dublin on topics including ethnomusicology, popular music and politics, Mediterranean music, and ethnographic research methods. His research focuses on cosmopolitan aspirations among local music practitioners, the concept of music professionalism, and the impact of crisis on music and politics in Greece. Ioannis is currently Associate Editor of the Irish Journal of Anthropology. He is also a professional pianist, composer, and arranger who has performed and recorded extensively within the Greek popular music scene. Elina Hytönen-Ng a cultural researcher and an ethnomusicologist, is a university researcher at the University of Eastern Finland. She has been studying the contemporary British jazz scene and musicians' flow experiences. She received her PhD in 2010, and since then has been an academic visitor at the Faculty of Music, University of Oxford, and a visiting research fellow at King's College London.
Jonathan P.J. Stock - Foreword: Audiencing
Ioannis Tsioulakis & Elina Hytönen-Ng - Introduction to Musicians and
Audiences
PART I: CONCEPTUALISING THE AUDIENCE-PERFORMER ENGAGEMENT
1. Bruce Johnson - In the Body of the Audience
2. Laura Leante - Observing Musicians/Audience Interaction in North
Indian Classical Music Performance
3. Mary Louise O'Donnell & Jonathan Henderson - 'One Step Above the
Ornamental Greenery': A Survivor's Guide to Playing to an Audience
Who Does Not Listen
PART II: LIVE RELATIONSHIPS: NEGOTIATIONS OF PERFORMANCE
4. Elina Hytönen-Ng - Contemporary British Jazz Musicians' Relationship
with the Audience: Renditions of We-Relations and Intersubjectivity
5. Barbara Bradby - Performer-Audience Interaction in Live Concerts:
Ritual or Conversation?
6. Andrew Pace - Refiguring Maltese Heritage through Musical
Performance: Audience Complicity and the Role of Venues in Etnika's
Stage Shows
PART III: TECHNOLOGICAL MEDIATIONS: THE VIRTUAL AND THE MATERIAL
7. Hillegonda C. Rietveld - Authenticity and Liveness in Digital DJ
Performance
8. Richard Osborne - That's Me in the Spotlight: Audiences and Musicians
on Screen
9. Ioannis Tsioulakis - 'Soon You'll Wish They Would Shut Up!': The
Digitised Political Voices of Music Stars and their Audiences in
Recession Greece
PART IV: OFF-STAGE DISCOURSES AND THE POWER OF FANDOM
10. Nancy Bruseker - 'Where are the girls of the old brigade?': Vesta
Tilley and Her Female Audience in Correspondence
11. Mark Duffett - From Secret Fantasies to Social Systems: Re-reading
Starlust as a Portrait of the Dedicated Popular Music Audience
Walter van de Leur - Afterword: 'Moved to the point where she could no
longer contain herself': Ellington and Audience Interaction at the Newport
Jazz Festival
Ioannis Tsioulakis & Elina Hytönen-Ng - Introduction to Musicians and
Audiences
PART I: CONCEPTUALISING THE AUDIENCE-PERFORMER ENGAGEMENT
1. Bruce Johnson - In the Body of the Audience
2. Laura Leante - Observing Musicians/Audience Interaction in North
Indian Classical Music Performance
3. Mary Louise O'Donnell & Jonathan Henderson - 'One Step Above the
Ornamental Greenery': A Survivor's Guide to Playing to an Audience
Who Does Not Listen
PART II: LIVE RELATIONSHIPS: NEGOTIATIONS OF PERFORMANCE
4. Elina Hytönen-Ng - Contemporary British Jazz Musicians' Relationship
with the Audience: Renditions of We-Relations and Intersubjectivity
5. Barbara Bradby - Performer-Audience Interaction in Live Concerts:
Ritual or Conversation?
6. Andrew Pace - Refiguring Maltese Heritage through Musical
Performance: Audience Complicity and the Role of Venues in Etnika's
Stage Shows
PART III: TECHNOLOGICAL MEDIATIONS: THE VIRTUAL AND THE MATERIAL
7. Hillegonda C. Rietveld - Authenticity and Liveness in Digital DJ
Performance
8. Richard Osborne - That's Me in the Spotlight: Audiences and Musicians
on Screen
9. Ioannis Tsioulakis - 'Soon You'll Wish They Would Shut Up!': The
Digitised Political Voices of Music Stars and their Audiences in
Recession Greece
PART IV: OFF-STAGE DISCOURSES AND THE POWER OF FANDOM
10. Nancy Bruseker - 'Where are the girls of the old brigade?': Vesta
Tilley and Her Female Audience in Correspondence
11. Mark Duffett - From Secret Fantasies to Social Systems: Re-reading
Starlust as a Portrait of the Dedicated Popular Music Audience
Walter van de Leur - Afterword: 'Moved to the point where she could no
longer contain herself': Ellington and Audience Interaction at the Newport
Jazz Festival
Jonathan P.J. Stock - Foreword: Audiencing
Ioannis Tsioulakis & Elina Hytönen-Ng - Introduction to Musicians and
Audiences
PART I: CONCEPTUALISING THE AUDIENCE-PERFORMER ENGAGEMENT
1. Bruce Johnson - In the Body of the Audience
2. Laura Leante - Observing Musicians/Audience Interaction in North
Indian Classical Music Performance
3. Mary Louise O'Donnell & Jonathan Henderson - 'One Step Above the
Ornamental Greenery': A Survivor's Guide to Playing to an Audience
Who Does Not Listen
PART II: LIVE RELATIONSHIPS: NEGOTIATIONS OF PERFORMANCE
4. Elina Hytönen-Ng - Contemporary British Jazz Musicians' Relationship
with the Audience: Renditions of We-Relations and Intersubjectivity
5. Barbara Bradby - Performer-Audience Interaction in Live Concerts:
Ritual or Conversation?
6. Andrew Pace - Refiguring Maltese Heritage through Musical
Performance: Audience Complicity and the Role of Venues in Etnika's
Stage Shows
PART III: TECHNOLOGICAL MEDIATIONS: THE VIRTUAL AND THE MATERIAL
7. Hillegonda C. Rietveld - Authenticity and Liveness in Digital DJ
Performance
8. Richard Osborne - That's Me in the Spotlight: Audiences and Musicians
on Screen
9. Ioannis Tsioulakis - 'Soon You'll Wish They Would Shut Up!': The
Digitised Political Voices of Music Stars and their Audiences in
Recession Greece
PART IV: OFF-STAGE DISCOURSES AND THE POWER OF FANDOM
10. Nancy Bruseker - 'Where are the girls of the old brigade?': Vesta
Tilley and Her Female Audience in Correspondence
11. Mark Duffett - From Secret Fantasies to Social Systems: Re-reading
Starlust as a Portrait of the Dedicated Popular Music Audience
Walter van de Leur - Afterword: 'Moved to the point where she could no
longer contain herself': Ellington and Audience Interaction at the Newport
Jazz Festival
Ioannis Tsioulakis & Elina Hytönen-Ng - Introduction to Musicians and
Audiences
PART I: CONCEPTUALISING THE AUDIENCE-PERFORMER ENGAGEMENT
1. Bruce Johnson - In the Body of the Audience
2. Laura Leante - Observing Musicians/Audience Interaction in North
Indian Classical Music Performance
3. Mary Louise O'Donnell & Jonathan Henderson - 'One Step Above the
Ornamental Greenery': A Survivor's Guide to Playing to an Audience
Who Does Not Listen
PART II: LIVE RELATIONSHIPS: NEGOTIATIONS OF PERFORMANCE
4. Elina Hytönen-Ng - Contemporary British Jazz Musicians' Relationship
with the Audience: Renditions of We-Relations and Intersubjectivity
5. Barbara Bradby - Performer-Audience Interaction in Live Concerts:
Ritual or Conversation?
6. Andrew Pace - Refiguring Maltese Heritage through Musical
Performance: Audience Complicity and the Role of Venues in Etnika's
Stage Shows
PART III: TECHNOLOGICAL MEDIATIONS: THE VIRTUAL AND THE MATERIAL
7. Hillegonda C. Rietveld - Authenticity and Liveness in Digital DJ
Performance
8. Richard Osborne - That's Me in the Spotlight: Audiences and Musicians
on Screen
9. Ioannis Tsioulakis - 'Soon You'll Wish They Would Shut Up!': The
Digitised Political Voices of Music Stars and their Audiences in
Recession Greece
PART IV: OFF-STAGE DISCOURSES AND THE POWER OF FANDOM
10. Nancy Bruseker - 'Where are the girls of the old brigade?': Vesta
Tilley and Her Female Audience in Correspondence
11. Mark Duffett - From Secret Fantasies to Social Systems: Re-reading
Starlust as a Portrait of the Dedicated Popular Music Audience
Walter van de Leur - Afterword: 'Moved to the point where she could no
longer contain herself': Ellington and Audience Interaction at the Newport
Jazz Festival