Musicians' Migratory Patterns: American-Mexican Border Lands considers the works and ideologies of an array of American-based, immigrant Mexican composers. It asserts their immigrant status as a central force in nourishing, informing, and propelling musical and artistic concerns.
Musicians' Migratory Patterns: American-Mexican Border Lands considers the works and ideologies of an array of American-based, immigrant Mexican composers. It asserts their immigrant status as a central force in nourishing, informing, and propelling musical and artistic concerns.
Mauricio Rodríguez has taught at American universities and also in Spain. He is an artistic fellow of the National Endowment for the Arts of Mexico.
Inhaltsangabe
Preface / Acknowledgements / Chapter 1: Sound Through the Looking Glass: An Approach to the Dimensional Sonology on the Tijuana-San Diego Border (Álvaro G. Díaz Rodríguez) / Chapter 2: Network Platforms, Electronic Scenes, and Cultural Activism at the Tijuana-San Diego Border: The Performance of Border Critical Thinking in Young Artistic Movements in the Early 21st Century (Rossana Lara Velázquez) / Chapter 3: Sonic Borders of Self: A Trajectory (Wilfrido Terrazas) / Chapter 4: P/T: Ensenada and Experimentalist Musical Practice: Narrations in Place and Time (Teresa Díaz de Cossio and Paul N. Roth) / Chapter 5: Sound Migration: Repatriation of Mexican Piano Music: A Case Study on Three Short Piano Pieces by Samuel Zyman (Turcios Ruiz) / Chapter 6: Borderline Crossings: The New Mexican Orchestra (Mauricio Rodríguez) / List of Contributors / Index
Preface / Acknowledgements / Chapter 1: Sound Through the Looking Glass: An Approach to the Dimensional Sonology on the Tijuana-San Diego Border (Álvaro G. Díaz Rodríguez) / Chapter 2: Network Platforms, Electronic Scenes, and Cultural Activism at the Tijuana-San Diego Border: The Performance of Border Critical Thinking in Young Artistic Movements in the Early 21st Century (Rossana Lara Velázquez) / Chapter 3: Sonic Borders of Self: A Trajectory (Wilfrido Terrazas) / Chapter 4: P/T: Ensenada and Experimentalist Musical Practice: Narrations in Place and Time (Teresa Díaz de Cossio and Paul N. Roth) / Chapter 5: Sound Migration: Repatriation of Mexican Piano Music: A Case Study on Three Short Piano Pieces by Samuel Zyman (Turcios Ruiz) / Chapter 6: Borderline Crossings: The New Mexican Orchestra (Mauricio Rodríguez) / List of Contributors / Index
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