Tejaswini Niranjana traces the place of Hindustani classical music in Mumbai throughout the long twentieth century, showing how the widespread love of music throughout the city created a culture of collective listening and social subjects who embodied new forms of modernity.
Tejaswini Niranjana traces the place of Hindustani classical music in Mumbai throughout the long twentieth century, showing how the widespread love of music throughout the city created a culture of collective listening and social subjects who embodied new forms of modernity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tejaswini Niranjana is Professor of Cultural Studies at Lingnan University and author of Mobilizing India: Women, Music, and Migration between India and Trinidad, also published by Duke University Press, and Siting Translation: History, Post-Structuralism, and the Colonial Context.
Inhaltsangabe
Acknowledgments ix Introduction. On Not Being Able to Learn Music 1 1. "Yaa Nagari Mein Lakh Darwaza": Musicophilia and the Lingua Musica in Mumbai 19 2. Mehfil (Performance): The Spaces of Music 46 3. Deewaana (The Mad One): The Lover of Music 86 4. Taleem: Pedagogy and the Performing Subject 128 5. Nearness as Distance, or Distance as Nearness 162 Afterword 181 Glossary 199 Notes 205 Selected Bibliography 227 Index 235
Acknowledgments ix Introduction. On Not Being Able to Learn Music 1 1. "Yaa Nagari Mein Lakh Darwaza": Musicophilia and the Lingua Musica in Mumbai 19 2. Mehfil (Performance): The Spaces of Music 46 3. Deewaana (The Mad One): The Lover of Music 86 4. Taleem: Pedagogy and the Performing Subject 128 5. Nearness as Distance, or Distance as Nearness 162 Afterword 181 Glossary 199 Notes 205 Selected Bibliography 227 Index 235
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