Music's Immanent Future
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Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers. This volume investigates how we think, converse, write about, compose, listen to and analyse music. The work is informed by the philosophy primarily of Deleuze and Guattari, and secondarily of Foucault, Kristeva and Nancy. The chapters cover a range of topics focused on twentieth and twenty-first century musics, covering popular musics, art music, acousmatic music and electro-acoustic musics, and including music analysis,…mehr

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Produktbeschreibung
Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers. This volume investigates how we think, converse, write about, compose, listen to and analyse music. The work is informed by the philosophy primarily of Deleuze and Guattari, and secondarily of Foucault, Kristeva and Nancy. The chapters cover a range of topics focused on twentieth and twenty-first century musics, covering popular musics, art music, acousmatic music and electro-acoustic musics, and including music analysis, music's ontology, the noise/music dichotomy, intertextuality and music, listening, ethnography and the current state of music studies.
Autorenporträt
Sally Macarthur is a musicologist whose work focuses on recent musical practices in Australia with a particular emphasis on music of the western classical tradition and women's music. She is Associate Professor and Director of Academic Program (Music) in the School of Humanities and Communication Arts at Western Sydney University, Australia. Judy Lochhead is a theorist and musicologist whose work focuses on the most recent musical practices in North America and Europe, with particular emphasis on music of the western classical tradition. She is Professor of Music at Stony Brook University, USA. Jennifer Shaw is a musicologist whose work focuses on the Second Viennese School, music copyright and on creative practice as research. She is Professor and Executive Dean of the Faculty of Arts at the University of Adelaide, Australia.