A leading anthropologist examines Iranian media in its cultural and historical contexts, situating it between older oral narratives and currently proliferating postmodern forms.
A leading anthropologist examines Iranian media in its cultural and historical contexts, situating it between older oral narratives and currently proliferating postmodern forms.
By Way of Acknowledgments: Divided Selves and Doubled Genealogies vii Prelude: After Epic, Writing, Painting, and Film 1 I. Speaking After Zarathustra: Ritual, Epic, and Philosophical Forms of Reason > Prologue 17 1. Yasna: Performative Ritual, Narrative Mnemonic 25 2. Shahnameh: Parable Logic 66 Coda: Illuminations: Philosophical Allegory 131 II. Seeing After Film: Textual and Cinematic Forms of Ethical Reason 3. Awaiting the Revolution: Surrealism Persian Style 151 4. Filmic Judgment and Cultural Critique: The Work of Art, Ethics, and Religion in Postrevolution Iranian Cinema 222 5. War Again: Qandahar, 911-- > Coda: Balancing Acts (After 9/11) 355 Epilogue: Beyond “Mobile Armies of Metaphors”: Scheherezade Films the Games 370 Notes 395 Bibliography 433 Index 449
By Way of Acknowledgments: Divided Selves and Doubled Genealogies vii Prelude: After Epic, Writing, Painting, and Film 1 I. Speaking After Zarathustra: Ritual, Epic, and Philosophical Forms of Reason > Prologue 17 1. Yasna: Performative Ritual, Narrative Mnemonic 25 2. Shahnameh: Parable Logic 66 Coda: Illuminations: Philosophical Allegory 131 II. Seeing After Film: Textual and Cinematic Forms of Ethical Reason 3. Awaiting the Revolution: Surrealism Persian Style 151 4. Filmic Judgment and Cultural Critique: The Work of Art, Ethics, and Religion in Postrevolution Iranian Cinema 222 5. War Again: Qandahar, 911-- > Coda: Balancing Acts (After 9/11) 355 Epilogue: Beyond “Mobile Armies of Metaphors”: Scheherezade Films the Games 370 Notes 395 Bibliography 433 Index 449
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