A leading anthropologist examines Iranian media in its cultural and historical contexts, situating it between older oral narratives and currently proliferating postmodern forms.
A leading anthropologist examines Iranian media in its cultural and historical contexts, situating it between older oral narratives and currently proliferating postmodern forms.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michael M. J. Fischer is Professor of Anthropology and Science and Technology Studies at the Massachusetts Institute of Technology and Lecturer in the Department of Social Medicine at Harvard Medical School. He is the author of Emergent Forms of Life and the Anthropological Voice (published by Duke University Press) and Iran: From Religious Dispute to Revolution. He is coauthor of Debating Muslims: Cultural Dialogues in Postmodernity and Tradition and Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences.
Inhaltsangabe
By Way of Acknowledgments: Divided Selves and Doubled Genealogies vii Prelude: After Epic, Writing, Painting, and Film 1 I. Speaking After Zarathustra: Ritual, Epic, and Philosophical Forms of Reason > Prologue 17 1. Yasna: Performative Ritual, Narrative Mnemonic 25 2. Shahnameh: Parable Logic 66 Coda: Illuminations: Philosophical Allegory 131 II. Seeing After Film: Textual and Cinematic Forms of Ethical Reason 3. Awaiting the Revolution: Surrealism Persian Style 151 4. Filmic Judgment and Cultural Critique: The Work of Art, Ethics, and Religion in Postrevolution Iranian Cinema 222 5. War Again: Qandahar, 911-- > Coda: Balancing Acts (After 9/11) 355 Epilogue: Beyond “Mobile Armies of Metaphors”: Scheherezade Films the Games 370 Notes 395 Bibliography 433 Index 449
By Way of Acknowledgments: Divided Selves and Doubled Genealogies vii Prelude: After Epic, Writing, Painting, and Film 1 I. Speaking After Zarathustra: Ritual, Epic, and Philosophical Forms of Reason > Prologue 17 1. Yasna: Performative Ritual, Narrative Mnemonic 25 2. Shahnameh: Parable Logic 66 Coda: Illuminations: Philosophical Allegory 131 II. Seeing After Film: Textual and Cinematic Forms of Ethical Reason 3. Awaiting the Revolution: Surrealism Persian Style 151 4. Filmic Judgment and Cultural Critique: The Work of Art, Ethics, and Religion in Postrevolution Iranian Cinema 222 5. War Again: Qandahar, 911-- > Coda: Balancing Acts (After 9/11) 355 Epilogue: Beyond “Mobile Armies of Metaphors”: Scheherezade Films the Games 370 Notes 395 Bibliography 433 Index 449
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