Muzio Clementi and British Musical Culture
Sources, Performance Practice and Style
Herausgeber: Sala, Luca Lévi; Stewart-MacDonald, Rohan H
Muzio Clementi and British Musical Culture
Sources, Performance Practice and Style
Herausgeber: Sala, Luca Lévi; Stewart-MacDonald, Rohan H
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- Produkterinnerung
Muzio Clementi (1752-1832) achieved notable success in a diversity of activities that centred mainly on the piano. This book explores Clementi's multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works; several chapters report on this project, whilst continuing to pursue the book's broader themes.…mehr
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- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 230
- Erscheinungstermin: 15. Juni 2018
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 526g
- ISBN-13: 9781138633896
- ISBN-10: 1138633895
- Artikelnr.: 53044801
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 230
- Erscheinungstermin: 15. Juni 2018
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 526g
- ISBN-13: 9781138633896
- ISBN-10: 1138633895
- Artikelnr.: 53044801
Luca Lévi Sala and Rohan H. Stewart
MacDonald 1. Britain and Europe in the Time of Clementi: Cosmopolitanism and Perceptions of National Culture
Simon McVeigh 2. Clementi in London
Leon Plantinga 3. The Dissemination of Muzio Clementi's Output Beyond England: Issues of Authenticity and Textual Problems in Vienna (1787
1799)
Luca Lévi Sala 4. Clementi's Introduction in European Musical Life, 1801
1830
David Rowland 5. Inventions and Ideas on the Peripheries of British Piano Design Between 1752 and 1832
Jenny Nex 6. Shedding light on late eighteenth
century British Piano Performance Style through Clementi's edition of Scarlatti's Chefs d'Oeuvre, for the Harpsichord or Piano
Forte
Laura Cuervo 7. Towards a New Edition of Clementi's 'Viennese' Sonatas, Opp. 7
10: Contemporary English Sources and the Problem of Revision
Rohan H. Stewart
MacDonald 8. Association by Design: Clementi's Musical Characteristics
Penelope Cave 9. Clementi and the Tambourine: the Waltzes opp. 38
39 in the Context of Domestic Music
Making in Early Nineteenth
Century Britain
Sam Girling 10. Clementi's Minor
Mode Keyboard Music and the Rhetoric of 'Ancient Style'
Matthew Riley 11. Locating the Early
Romantic British Piano Concerto: William Sterndale Bennett and his Contemporaries
Rohan H. Stewart
MacDonald
Luca Lévi Sala and Rohan H. Stewart
MacDonald 1. Britain and Europe in the Time of Clementi: Cosmopolitanism and Perceptions of National Culture
Simon McVeigh 2. Clementi in London
Leon Plantinga 3. The Dissemination of Muzio Clementi's Output Beyond England: Issues of Authenticity and Textual Problems in Vienna (1787
1799)
Luca Lévi Sala 4. Clementi's Introduction in European Musical Life, 1801
1830
David Rowland 5. Inventions and Ideas on the Peripheries of British Piano Design Between 1752 and 1832
Jenny Nex 6. Shedding light on late eighteenth
century British Piano Performance Style through Clementi's edition of Scarlatti's Chefs d'Oeuvre, for the Harpsichord or Piano
Forte
Laura Cuervo 7. Towards a New Edition of Clementi's 'Viennese' Sonatas, Opp. 7
10: Contemporary English Sources and the Problem of Revision
Rohan H. Stewart
MacDonald 8. Association by Design: Clementi's Musical Characteristics
Penelope Cave 9. Clementi and the Tambourine: the Waltzes opp. 38
39 in the Context of Domestic Music
Making in Early Nineteenth
Century Britain
Sam Girling 10. Clementi's Minor
Mode Keyboard Music and the Rhetoric of 'Ancient Style'
Matthew Riley 11. Locating the Early
Romantic British Piano Concerto: William Sterndale Bennett and his Contemporaries
Rohan H. Stewart
MacDonald