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The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. As technology has advanced over the past century, the figure of the lifelike manmade woman has become ubiquitous, popping up in everything from Bride of Frankenstein to The Stepford Wives. Julie Wosk takes us on a tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody.

Produktbeschreibung
The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. As technology has advanced over the past century, the figure of the lifelike manmade woman has become ubiquitous, popping up in everything from Bride of Frankenstein to The Stepford Wives. Julie Wosk takes us on a tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody.
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Autorenporträt
JULIE WOSK is a professor of art history, English, and studio painting at the State University of New York, Maritime College in New York City. She is the author of Women and the Machine: Representations From the Spinning Wheel to the Electronic Age and Breaking Frame: Technology and the Visual Arts in the Nineteenth Century.