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UNIQUE AUTHOR: Walsh is one of the most exciting experimental thinkers and writers working today, charting the frontiers between identity, gender and technology, with a significant following (12k Twitter). CROSS-SUBJECT: In this gem-like meditation on life and film, beauty and revolution, Walsh puts forward some of the conversations she's been building publicly over the past decade, blending memoir and theory. FOR READERS OF FEMINIST AUTHORS: For readers of Annie Ernaux, Marguerite Duras, and Kate Zambreno. SERIES ATTENTION: This title is part of Transit's Undelivered Lectures series,…mehr

Produktbeschreibung
UNIQUE AUTHOR: Walsh is one of the most exciting experimental thinkers and writers working today, charting the frontiers between identity, gender and technology, with a significant following (12k Twitter). CROSS-SUBJECT: In this gem-like meditation on life and film, beauty and revolution, Walsh puts forward some of the conversations she's been building publicly over the past decade, blending memoir and theory. FOR READERS OF FEMINIST AUTHORS: For readers of Annie Ernaux, Marguerite Duras, and Kate Zambreno. SERIES ATTENTION: This title is part of Transit's Undelivered Lectures series, featuring book-length essays in small, handsome editions, many of which have received significant critical attention.
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Autorenporträt
Joanna Walsh is a multidisciplinary writer for print, digital and performance. The author of seven books, including Hotel, Vertigo, Worlds from the Word's End and Break*up, she has two new projects coming from Verso in 2022 and 2023, Girl Online and On Screens. She also works as a critic, editor, teacher and arts activist. She is a UK Arts Foundation fellow, and the recipient of the Markievicz Award in the Republic of Ireland. She founded and ran #readwomen (2014-18), described by the New York Times as "a rallying cry for equal treatment for women writers" and currently runs @noentry_arts.