H. R. Haweis
My Musical Life
H. R. Haweis
My Musical Life
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- Produkterinnerung
This 1884 memoir of nineteenth-century musical performance includes Haweis' views on the philosophy and history of music.
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This 1884 memoir of nineteenth-century musical performance includes Haweis' views on the philosophy and history of music.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 720
- Erscheinungstermin: 23. September 2011
- Englisch
- Abmessung: 216mm x 140mm x 42mm
- Gewicht: 999g
- ISBN-13: 9781108038652
- ISBN-10: 1108038654
- Artikelnr.: 34448412
- Verlag: Cambridge University Press
- Seitenzahl: 720
- Erscheinungstermin: 23. September 2011
- Englisch
- Abmessung: 216mm x 140mm x 42mm
- Gewicht: 999g
- ISBN-13: 9781108038652
- ISBN-10: 1108038654
- Artikelnr.: 34448412
Mary Eliza Haweis, née Joy (1848-1898), was the daughter of the painter Thomas Musgrave Joy, and an artist in her own right, who first won fame with her exhibition at the Royal Academy under her maiden name Miss M. E. Joy. Her literary career started after she married Hugh Reginald Haweis, and after illustrating his books, started writing her own using the name "Mrs. H. R. Haweis." Chaucer for Children was her very first book, and catapulted her to instant fame. She followed this up with several other works centered around art, fashion, history, and literature, including The Art of Beauty (1878), The Art of Dress (1879), The Art of Decoration (1881), and The Art of Housekeeping (1889). From 1880 she wrote essays on artistic houses, first published in the magazine The Queen. Apart from her literary work, she is also remembered for her successful campaign to have museums opened on Sundays-revolutionary at the time, but now standard practice around the globe.
Prelude
Book I. Early Days: 1. Norwood and London. 1846-60
2. Brighton and the Isle of Wight. 1850-6
3. Cambridge. 1856-9
4. Italy. 1860
5. Bethnal Green and Westminster. 1861-4
Book II. By the Golden Sea: 1. Interlude on recurrent ideas
2. The rationale of music
3. Interlude of sense channels
4. Hearing music
Book III. Cremona: 1. Interlude of a night at the Royal Institution
2. Old violins
3. Interlude on a certain loan collection
4. A South Kensington dream
5. Interlude on the oblivion of great men
6. Stradivarius of Cremona - his house
7. Interlude on some old violin players
Book IV. The Music of the Future: 1. Interlude on the title of the fourth book
2. Wagner
3. Interlude on the last crown
4. Parsifal
5. Interlude on Bayreuth City
6. The Nibelung's Ring
7. Interlude on Tannhäuser and Lohengrin
8. Tannhäuser
9. Lohengrin
10. Interlude on phenomenal players
11. Liszt
Postlude.
Book I. Early Days: 1. Norwood and London. 1846-60
2. Brighton and the Isle of Wight. 1850-6
3. Cambridge. 1856-9
4. Italy. 1860
5. Bethnal Green and Westminster. 1861-4
Book II. By the Golden Sea: 1. Interlude on recurrent ideas
2. The rationale of music
3. Interlude of sense channels
4. Hearing music
Book III. Cremona: 1. Interlude of a night at the Royal Institution
2. Old violins
3. Interlude on a certain loan collection
4. A South Kensington dream
5. Interlude on the oblivion of great men
6. Stradivarius of Cremona - his house
7. Interlude on some old violin players
Book IV. The Music of the Future: 1. Interlude on the title of the fourth book
2. Wagner
3. Interlude on the last crown
4. Parsifal
5. Interlude on Bayreuth City
6. The Nibelung's Ring
7. Interlude on Tannhäuser and Lohengrin
8. Tannhäuser
9. Lohengrin
10. Interlude on phenomenal players
11. Liszt
Postlude.
Prelude
Book I. Early Days: 1. Norwood and London. 1846-60
2. Brighton and the Isle of Wight. 1850-6
3. Cambridge. 1856-9
4. Italy. 1860
5. Bethnal Green and Westminster. 1861-4
Book II. By the Golden Sea: 1. Interlude on recurrent ideas
2. The rationale of music
3. Interlude of sense channels
4. Hearing music
Book III. Cremona: 1. Interlude of a night at the Royal Institution
2. Old violins
3. Interlude on a certain loan collection
4. A South Kensington dream
5. Interlude on the oblivion of great men
6. Stradivarius of Cremona - his house
7. Interlude on some old violin players
Book IV. The Music of the Future: 1. Interlude on the title of the fourth book
2. Wagner
3. Interlude on the last crown
4. Parsifal
5. Interlude on Bayreuth City
6. The Nibelung's Ring
7. Interlude on Tannhäuser and Lohengrin
8. Tannhäuser
9. Lohengrin
10. Interlude on phenomenal players
11. Liszt
Postlude.
Book I. Early Days: 1. Norwood and London. 1846-60
2. Brighton and the Isle of Wight. 1850-6
3. Cambridge. 1856-9
4. Italy. 1860
5. Bethnal Green and Westminster. 1861-4
Book II. By the Golden Sea: 1. Interlude on recurrent ideas
2. The rationale of music
3. Interlude of sense channels
4. Hearing music
Book III. Cremona: 1. Interlude of a night at the Royal Institution
2. Old violins
3. Interlude on a certain loan collection
4. A South Kensington dream
5. Interlude on the oblivion of great men
6. Stradivarius of Cremona - his house
7. Interlude on some old violin players
Book IV. The Music of the Future: 1. Interlude on the title of the fourth book
2. Wagner
3. Interlude on the last crown
4. Parsifal
5. Interlude on Bayreuth City
6. The Nibelung's Ring
7. Interlude on Tannhäuser and Lohengrin
8. Tannhäuser
9. Lohengrin
10. Interlude on phenomenal players
11. Liszt
Postlude.