A charming and engaging memoir of the life and career of H. R. Haweis, a prominent British music critic and amateur musician who played an important role in the cultural life of Victorian England. With wit, humor, and an insightful perspective on music and society, Haweis offers a compelling account of his experiences as a writer, performer, and adventurer, revealing the passion and dedication that drove him throughout his life. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public…mehr
A charming and engaging memoir of the life and career of H. R. Haweis, a prominent British music critic and amateur musician who played an important role in the cultural life of Victorian England. With wit, humor, and an insightful perspective on music and society, Haweis offers a compelling account of his experiences as a writer, performer, and adventurer, revealing the passion and dedication that drove him throughout his life. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mary Eliza Haweis, née Joy (1848-1898), was the daughter of the painter Thomas Musgrave Joy, and an artist in her own right, who first won fame with her exhibition at the Royal Academy under her maiden name Miss M. E. Joy. Her literary career started after she married Hugh Reginald Haweis, and after illustrating his books, started writing her own using the name "Mrs. H. R. Haweis." Chaucer for Children was her very first book, and catapulted her to instant fame. She followed this up with several other works centered around art, fashion, history, and literature, including The Art of Beauty (1878), The Art of Dress (1879), The Art of Decoration (1881), and The Art of Housekeeping (1889). From 1880 she wrote essays on artistic houses, first published in the magazine The Queen. Apart from her literary work, she is also remembered for her successful campaign to have museums opened on Sundays-revolutionary at the time, but now standard practice around the globe.
Inhaltsangabe
Prelude Book I. Early Days: 1. Norwood and London. 1846-60 2. Brighton and the Isle of Wight. 1850-6 3. Cambridge. 1856-9 4. Italy. 1860 5. Bethnal Green and Westminster. 1861-4 Book II. By the Golden Sea: 1. Interlude on recurrent ideas 2. The rationale of music 3. Interlude of sense channels 4. Hearing music Book III. Cremona: 1. Interlude of a night at the Royal Institution 2. Old violins 3. Interlude on a certain loan collection 4. A South Kensington dream 5. Interlude on the oblivion of great men 6. Stradivarius of Cremona - his house 7. Interlude on some old violin players Book IV. The Music of the Future: 1. Interlude on the title of the fourth book 2. Wagner 3. Interlude on the last crown 4. Parsifal 5. Interlude on Bayreuth City 6. The Nibelung's Ring 7. Interlude on Tannhäuser and Lohengrin 8. Tannhäuser 9. Lohengrin 10. Interlude on phenomenal players 11. Liszt Postlude.
Prelude Book I. Early Days: 1. Norwood and London. 1846-60 2. Brighton and the Isle of Wight. 1850-6 3. Cambridge. 1856-9 4. Italy. 1860 5. Bethnal Green and Westminster. 1861-4 Book II. By the Golden Sea: 1. Interlude on recurrent ideas 2. The rationale of music 3. Interlude of sense channels 4. Hearing music Book III. Cremona: 1. Interlude of a night at the Royal Institution 2. Old violins 3. Interlude on a certain loan collection 4. A South Kensington dream 5. Interlude on the oblivion of great men 6. Stradivarius of Cremona - his house 7. Interlude on some old violin players Book IV. The Music of the Future: 1. Interlude on the title of the fourth book 2. Wagner 3. Interlude on the last crown 4. Parsifal 5. Interlude on Bayreuth City 6. The Nibelung's Ring 7. Interlude on Tannhäuser and Lohengrin 8. Tannhäuser 9. Lohengrin 10. Interlude on phenomenal players 11. Liszt Postlude.
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