Illustrations viii Note on Transliterations xi Note on Accessing Performance Videos xiii Acknowledgments xvii Introduction 1 1. Nationalism, Belonging, and the Performativity of Resistance 17 2. Poets, Singers, and Songs: Voices in the Resistance Movement (1917 1967) 34 3. Al-Naksa and the Emergence of Political Song (1967 1987) 78 4. The First Intifada and the Generation of Stones (1987 2000) 116 5. Revivals and New Arrivals: The al-Aqsa Intifada (2000 2010) 144 6. "My Songs Can Reach the Whole Nation": Baladna and Protest Song in Jordan 163 7. Imprisonment and Exile: Negotiating Power and Resistance in Palestinian Protest Song 199 8. New Directions and New Modalities: Palestinian Hip-Hop in Israel 231 9. "Carrying Words Like Weapons": DAM Brings Hip-Hop to the West Bank 262 Epilogue 283 Appendix: Song Lyric Transliterations 287 Notes 305 Bibliography 321 Index 329
Illustrations viii Note on Transliterations xi Note on Accessing Performance Videos xiii Acknowledgments xvii Introduction 1 1. Nationalism, Belonging, and the Performativity of Resistance 17 2. Poets, Singers, and Songs: Voices in the Resistance Movement (1917 1967) 34 3. Al-Naksa and the Emergence of Political Song (1967 1987) 78 4. The First Intifada and the Generation of Stones (1987 2000) 116 5. Revivals and New Arrivals: The al-Aqsa Intifada (2000 2010) 144 6. "My Songs Can Reach the Whole Nation": Baladna and Protest Song in Jordan 163 7. Imprisonment and Exile: Negotiating Power and Resistance in Palestinian Protest Song 199 8. New Directions and New Modalities: Palestinian Hip-Hop in Israel 231 9. "Carrying Words Like Weapons": DAM Brings Hip-Hop to the West Bank 262 Epilogue 283 Appendix: Song Lyric Transliterations 287 Notes 305 Bibliography 321 Index 329
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