Mysticism, Myth and Celtic Identity explores how the mythical and mystical past informs national imaginations. Building on notions of invented tradition and myths of the nation, it looks at the power of narrative and fiction to shape identity, with particular reference to the British and Celtic contexts. The authors consider how aspects of the past are reinterpreted or reimagined in a variety of ways to give coherence to desired national groupings, or groups aspiring to nationhood and its 'defence'.
Mysticism, Myth and Celtic Identity explores how the mythical and mystical past informs national imaginations. Building on notions of invented tradition and myths of the nation, it looks at the power of narrative and fiction to shape identity, with particular reference to the British and Celtic contexts. The authors consider how aspects of the past are reinterpreted or reimagined in a variety of ways to give coherence to desired national groupings, or groups aspiring to nationhood and its 'defence'.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marion Gibson is Associate Professor of Renaissance and Magical Literatures at the University of Exeter, UK. Her publications include Witchcraft Myths in American Culture (2007), Possession, Puritanism and Print: Darrell, Harsnett, Shakespeare and the Elizabethan Exorcism Controversy (2006) and Reading Witchcraft: Stories of Early English Witches (1990). Shelley Trower is a Lecturer at the Department of English at the University of Hull, UK. Her publications include Senses of Vibration (2012) and Place, Writing, and Voice in Oral History (2011). Garry Tregidga is a Senior Lecturer and Assistant Director of the Institute of Cornish Studies at the University of Exeter, UK. His publications include Memory, Place and Identity: The Cultural Landscapes of Cornwall (2012) and Mebyon Kernow and the History of Cornish Nationalism, co edited with Dick Cole and Bernard Deacon (2003).
Inhaltsangabe
Introduction. Part 1: Prehistory and Paganism 1. Druids in Modern British Fiction 2. Old Deities, New Worlds 3. Uncovering the Deepest Layers of the British Past, 1850-1914 4. "Dreams of Celtic Kings" 5. "The Truth against the World" Part 2: Gothic, Romance and Landscape 6. 'Confined to a Living Grave' 7. Fingal in the West Country 8. Geological Folklore 9. Celtic Cultural Politics 10. Spirited Away Part 3: Memory, Myth and Politics 11. Cornish Crusaders and Barbary Captives 12. Re-enacting Scottish History in Europe 13. Reconstructing West Wales 14. From Apocalyptic Paranoia to the Mythic Nation 15. Albion's Spectre
Introduction. Part 1: Prehistory and Paganism 1. Druids in Modern British Fiction 2. Old Deities, New Worlds 3. Uncovering the Deepest Layers of the British Past, 1850-1914 4. "Dreams of Celtic Kings" 5. "The Truth against the World" Part 2: Gothic, Romance and Landscape 6. 'Confined to a Living Grave' 7. Fingal in the West Country 8. Geological Folklore 9. Celtic Cultural Politics 10. Spirited Away Part 3: Memory, Myth and Politics 11. Cornish Crusaders and Barbary Captives 12. Re-enacting Scottish History in Europe 13. Reconstructing West Wales 14. From Apocalyptic Paranoia to the Mythic Nation 15. Albion's Spectre
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