Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face...
Building on numerous original close readings of works by Homer, Hesiod, and other ancient Greek poets, Richard P. Martin articulates a broad and precise poetics of archaic Greek verse. The ancient Greek hexameter poetry of such works as the Iliad and the Odyssey differ from most modern verbal art because it was composed for live, face-to-face...
Introduction Part I: Epic Genre and Technique 1. Epic as Genre 2. Similes and Performance 3. Formulas and Speeches: The Usefulness of Parry's Method 4. Wrapping Homer Up: Cohesion, Discourse, and Deviation in the Iliad Part II: Mythic Hymnists, Historical Performers 5. Apollo's Kithara and Poseidon's Crash-Test: Ritual and Contest in the Evolution of Greek Aesthetics 6. The Senses of an Ending: Myth, Ritual, and Poetic Exodia in Performance 7. Synchronic Aspects of Homeric Performance: The Evidence of the Hymn to Apollo 8. Rhapsodizing Orpheus 9. Golden Verses: Voice and Authority in the Tablets Part III: Hesiodic Constructions 10. Hesiod and the Didactic Double 11. Hesiod's Metanastic Poetics 12. Hesiod, Odysseus, and the Instruction of Princes 13. Pulp Epic: The Catalogue and the Shield Part IV: The Backward Look 14. Keens from the Absent Chorus: Troy to Ulster 15. Telemachus and the Last Hero Song 16. Until It Ends: Varieties of Iliadic Anticipation 17. Distant Landmarks: Homer and Hesiod
Introduction Part I: Epic Genre and Technique 1. Epic as Genre 2. Similes and Performance 3. Formulas and Speeches: The Usefulness of Parry's Method 4. Wrapping Homer Up: Cohesion, Discourse, and Deviation in the Iliad Part II: Mythic Hymnists, Historical Performers 5. Apollo's Kithara and Poseidon's Crash-Test: Ritual and Contest in the Evolution of Greek Aesthetics 6. The Senses of an Ending: Myth, Ritual, and Poetic Exodia in Performance 7. Synchronic Aspects of Homeric Performance: The Evidence of the Hymn to Apollo 8. Rhapsodizing Orpheus 9. Golden Verses: Voice and Authority in the Tablets Part III: Hesiodic Constructions 10. Hesiod and the Didactic Double 11. Hesiod's Metanastic Poetics 12. Hesiod, Odysseus, and the Instruction of Princes 13. Pulp Epic: The Catalogue and the Shield Part IV: The Backward Look 14. Keens from the Absent Chorus: Troy to Ulster 15. Telemachus and the Last Hero Song 16. Until It Ends: Varieties of Iliadic Anticipation 17. Distant Landmarks: Homer and Hesiod
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