N.Y. / L.A. - Kronick, William
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The colorful, morally complex life of Matthew Fleming, an actor of rare talent, from an impoverished but work-filled decade in Off-Broadway theaters through his 'overnight' success on Broadway - then on to international acclaim as a charismatic movie star - is the 'stuff of this gripping novel. Matt is haunted by the belief his leap from obscurity to fame wasn't due to his gift alone but also to the death of a wealthy lover, Andrea Whittaker. He is convinced her drowning, considered accidental, was, in fact, a murder and that he knows the perpetrator. Yet for reasons he's long repressed, he…mehr

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Produktbeschreibung
The colorful, morally complex life of Matthew Fleming, an actor of rare talent, from an impoverished but work-filled decade in Off-Broadway theaters through his 'overnight' success on Broadway - then on to international acclaim as a charismatic movie star - is the 'stuff of this gripping novel. Matt is haunted by the belief his leap from obscurity to fame wasn't due to his gift alone but also to the death of a wealthy lover, Andrea Whittaker. He is convinced her drowning, considered accidental, was, in fact, a murder and that he knows the perpetrator. Yet for reasons he's long repressed, he never sought justice for the killer. A lesser anguish gnawing at Matt Fleming's emotional core is his need to express himself on stage before live audiences. To make the break from his domineering manager/partner, David Whittaker -Andrea's widowed husband - who insists he stick with movies, and Laura Fleming, his glamor-struck wife who would never leave Malibu with Harry, their young son, to return to gritty N. Y., he jumps at an offer to make an 'art' film in England. He hopes it will provide the distance he needs in order to decide how he can rid himself of real and imagined demons... The narrative begins and ends in the winter of 2000. A youthful forty, Matt is playing Prince Hal in director Kenneth Branagh's version of Shakespeare's Henry IV. A role he's always aspired to, his London experience is further buoyed by a serious, surreptitious love affair with Beth Winters, the Lady Percy of the film. But he dare not make her privy to the dilemmas which by now are causing him to have terrifying nightmares. Re-enter Charley Sutter. A retired New York Homicide detective turned insurance investigator, he first met Matt ten years before when assessing whether Andrea's death possibly could have been a suicide. Despite their brief encounters since Matt moved to L. A., a strong father-son bond developed between the two men. It is to Sutter he finally confesses his weighty secret, flyi
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Autorenporträt
Before turning to novel writing, William Kronick enjoyed a long career as both a documentary and theatrical filmmaker. As writer¿director, his highly acclaimed Network Specials ranged from the National Geographic¿s Alaska! to six Plimpton! hour-long entertainments to Mysteries of the Great Pyramid. In the feature arena, he directed the comedy, The 500 Pound Jerk, and the Second Unit on such major productions as King Kong (1976), Flash Gordon and others. His first novel, The Cry of the Sirens (2004) was followed by Cooley Wyatt, then N.Y. / L.A. All three explore, in the framework of morality tales, the dynamics of authentic artistic talent, celebrity and commerce in our modern society. Each one centers on a violent act involving a physical or moral crime committed by the protagonist: both he and the reader must decide what represents appropriate justice. His fourth novel, All Stars Die, tells of two lovers for whom morality is not the issue, but their dark secrets are. The Art of Self-Deception returns to the themes of Mr. Kronick¿s first three novels. His latest, What Katie Said, departs from all the foregoing. It is a socio-psychological depiction of one man¿s struggle with his conscience in our present, challenging culture.