The eleven contributors to this volume investigate the connections between Nabokov's output and the fields of painting, music, and ballet.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Series Editor's Foreword Acknowledgments Abbreviations Introduction Chapter 1: Ada's "Malbrough s'en va-t-en guerre" Chapter 2: Music in the Theater of the Mind: Opera and Vladimir Nabokov Chapter 3: Resonances of Popular Music in Lolita Pale Fire and Ada Chapter 4: The Quest for a Natural Melody in the Fiction of Vladimir Nabokov Chapter 5: Vladimir Nabokpv's Invitation to a Beheading and Igor Stravinsky's Petrushka Chapter 6: "Ballet Attitudes": Nabokov's Lolita and Petipa's The Sleeping Beauty Chapter 7: Pninian Performatives Chapter 8: Alexander Pope's The Rape of the Lock and Vladimir Nabokov's Pale Fire Chapter 9: European Art: A Framing Device? Chapter 10: Nabokov and Comic Art Chapter 11: Nabokov's Painted Parchments Bibliography Contributors
Series Editor's Foreword Acknowledgments Abbreviations Introduction Chapter 1: Ada's "Malbrough s'en va-t-en guerre" Chapter 2: Music in the Theater of the Mind: Opera and Vladimir Nabokov Chapter 3: Resonances of Popular Music in Lolita Pale Fire and Ada Chapter 4: The Quest for a Natural Melody in the Fiction of Vladimir Nabokov Chapter 5: Vladimir Nabokpv's Invitation to a Beheading and Igor Stravinsky's Petrushka Chapter 6: "Ballet Attitudes": Nabokov's Lolita and Petipa's The Sleeping Beauty Chapter 7: Pninian Performatives Chapter 8: Alexander Pope's The Rape of the Lock and Vladimir Nabokov's Pale Fire Chapter 9: European Art: A Framing Device? Chapter 10: Nabokov and Comic Art Chapter 11: Nabokov's Painted Parchments Bibliography Contributors
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