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Who really was Ursula Cohen, that cold-eyed woman? And above all, why did everyone want her dead? There are many things that Ettore Benussi, commissioner of the Trieste brigade about to retire, cannot bear: the kids who do not drop their cell phones, the buildings of the 60s that deteriorate the Triestine urbanism, his daughter's boyfriend and even, her prominent belly (in fact, she just started a severe diet). He also does not tolerate complicated cases and, even less, those two idealistic young inspectors who work with him: Valerio Gargiulo, and Electra Morin. For this reason, Benussi…mehr

Produktbeschreibung
Who really was Ursula Cohen, that cold-eyed woman? And above all, why did everyone want her dead? There are many things that Ettore Benussi, commissioner of the Trieste brigade about to retire, cannot bear: the kids who do not drop their cell phones, the buildings of the 60s that deteriorate the Triestine urbanism, his daughter's boyfriend and even, her prominent belly (in fact, she just started a severe diet). He also does not tolerate complicated cases and, even less, those two idealistic young inspectors who work with him: Valerio Gargiulo, and Electra Morin. For this reason, Benussi prefers to retire and write, between sips of grappa, the story of a curator who resembles Montalbano. But the death of old Ursula Cohen interferes with his tranquility. The case, which fascinates his two subordinates, is confusing: the woman slipped and drowned. But what was a ninety-year-old lady doing walking along the shore on a windy night?
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Autorenporträt
Roberta de Falco is the pseudonym of Roberta Mazzoni, a white-haired lady who after many years dedicated to writing, especially as a screenwriter, has decided to launch herself into narrative and make herself known. Nobody is Innocent is her first novel, and is already working on the second case of Commissioner Benussi.