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'Naked Clay' is an intimate response to the paintings of Lucian Freud-"the great amplifier of twentieth century figurative art"' as the critic Sebastian Smee has written. The poems are as urgent as the paintings, and taken together they constitute an essay on the ambiguous gifts from a painter of such mortal, material presences. Barry Hill has created a unique space for the senses and the intellect to be prompted, explored and disturbed.

Produktbeschreibung
'Naked Clay' is an intimate response to the paintings of Lucian Freud-"the great amplifier of twentieth century figurative art"' as the critic Sebastian Smee has written. The poems are as urgent as the paintings, and taken together they constitute an essay on the ambiguous gifts from a painter of such mortal, material presences. Barry Hill has created a unique space for the senses and the intellect to be prompted, explored and disturbed.
Autorenporträt
Barry Hill has worked as a journalist and psychologist in Melbourne and London. He has been writing full-time since 1976 and is the author of many works in several genres, including a libretto performed in 'The Studio' at the Sydney Opera House in 2004. His short fiction has been widely anthologized and translated into Japanese and Chinese, and he has won national awards for poetry, non-fiction and the essay. He is a former Poetry Editor of The Australian and a Post-Doctoral Fellow from the University of Melbourne. The essays, Reason and Lovelessness, is his most recent book. He lives on the coast in southern Australia, looking out across the sea towards Tasmania and the Antarctic. His next book will be called The Tao on Cloudy Bay, a poetic interpretation of Chuang Tzu. He is married to the singer/songwriter Rose Bygrave.