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"This Comedy is called in the French Nanine, ou le Préjugé Vaincu (Nanine, or Prejudice Overcome). It is written, as we are told in the title-page, in verses of ten syllables. The absurdity of comedies in rhyme I have already remarked. The original begins thus: Il faut parler, il faut, Monsieur le Comte, Vous expliquer nettement sur mon Compte. The reader cannot but observe, what villainous rhymes Comte and Compte are, and perhaps will more readily forgive my reducing this comedy into plain prose. It was produced in 1749."-Voltaire Wilder Publications is a green publisher. All of our books are…mehr

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Produktbeschreibung
"This Comedy is called in the French Nanine, ou le Préjugé Vaincu (Nanine, or Prejudice Overcome). It is written, as we are told in the title-page, in verses of ten syllables. The absurdity of comedies in rhyme I have already remarked. The original begins thus: Il faut parler, il faut, Monsieur le Comte, Vous expliquer nettement sur mon Compte. The reader cannot but observe, what villainous rhymes Comte and Compte are, and perhaps will more readily forgive my reducing this comedy into plain prose. It was produced in 1749."-Voltaire Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.
Autorenporträt
François-Marie Arouet (1694 - 1778), known by his nom de plume Voltaire, was a French Enlightenment writer, historian and philosopher famous for his wit, his attacks on the established Catholic Church and Christianity as a whole and his advocacy of freedom of religion, freedom of speech and separation of church and state. Voltaire was a versatile and prolific writer, producing works in almost every literary form, including plays, poems, novels, essays and historical and scientific works. He wrote more than 20,000 letters and more than 2,000 books and pamphlets. He was an outspoken advocate of civil liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he frequently made use of his works to criticize intolerance, religious dogma and the French institutions of his day.