Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in Americaâ s long and ineffectual War on Drugs.
Exploring representations of Latinx people from Scarface to Narcos, this book examines how pop culture has framed Latin America as the villain in Americaâ s long and ineffectual War on Drugs.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
* Introduction * Chapter 1. “Say Goodnight to the Bad Guy”: South Florida, Cocaine, and the Many Faces of Scarface * Chapter 2. Miami Vices: Whiteness and Otherness in Representing the Criminalized City * Chapter 3. “The Most Alive Dead Man in the World”: Plotting the Death of Pablo Escobar * Chapter 4. Dancing toward Revenge: Queer Representation and What It Means to Be Seen in Narcomedia * Chapter 5. Dark Matters: Breaking Bad and the Suburban Crime Drama * Chapter 6. Bad Hombres: Narcomedia at the US-Mexico Border * Chapter 7. From Public Enemy to Global Media Commodity: Pablo Escobar Transformed * Epilogue. “It’s Time for a White Man to Leave the Building”: Centering Latinidad in Narcomedia * Acknowledgments * Notes * Selected Filmography * Bibliography * Index
* Introduction * Chapter 1. “Say Goodnight to the Bad Guy”: South Florida, Cocaine, and the Many Faces of Scarface * Chapter 2. Miami Vices: Whiteness and Otherness in Representing the Criminalized City * Chapter 3. “The Most Alive Dead Man in the World”: Plotting the Death of Pablo Escobar * Chapter 4. Dancing toward Revenge: Queer Representation and What It Means to Be Seen in Narcomedia * Chapter 5. Dark Matters: Breaking Bad and the Suburban Crime Drama * Chapter 6. Bad Hombres: Narcomedia at the US-Mexico Border * Chapter 7. From Public Enemy to Global Media Commodity: Pablo Escobar Transformed * Epilogue. “It’s Time for a White Man to Leave the Building”: Centering Latinidad in Narcomedia * Acknowledgments * Notes * Selected Filmography * Bibliography * Index
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