Brian Richardson is a professor of English at the University of Maryland. He is the author of Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction and Unlikely Stories: Causality and the Nature of Modern Narrative, and the editor of Narrative Dynamics: Essays on Plot, Time, Closure, and Frames. ¿ Contributors: Oliver Buckton, Philippe Carrard, Tita Chico, Ryan Claycomb, Melba Cuddy-Keane, Marilyn Edelstein, Patrick Colm Hogan, Jessica Laccetti, Niels Buch Leander, Gaura Shankar Narayan, Armine Kotin Mortimer, James Phelan, Carlos Riobo, Brian Richardson, Catherine Romagnolo, and Susan Winnett.…mehr
Brian Richardson is a professor of English at the University of Maryland. He is the author of Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction and Unlikely Stories: Causality and the Nature of Modern Narrative, and the editor of Narrative Dynamics: Essays on Plot, Time, Closure, and Frames. ¿ Contributors: Oliver Buckton, Philippe Carrard, Tita Chico, Ryan Claycomb, Melba Cuddy-Keane, Marilyn Edelstein, Patrick Colm Hogan, Jessica Laccetti, Niels Buch Leander, Gaura Shankar Narayan, Armine Kotin Mortimer, James Phelan, Carlos Riobo, Brian Richardson, Catherine Romagnolo, and Susan Winnett.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Brian Richardson is a professor of English at the University of Maryland. He is the author of Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction and Unlikely Stories: Causality and the Nature of Modern Narrative, and the editor of Narrative Dynamics: Essays on Plot, Time, Closure, and Frames. Contributors: Oliver Buckton, Philippe Carrard, Tita Chico, Ryan Claycomb, Melba Cuddy-Keane, Marilyn Edelstein, Patrick Colm Hogan, Jessica Laccetti, Niels Buch Leander, Gaura Shankar Narayan, Armine Kotin Mortimer, James Phelan, Carlos Riobo, Brian Richardson, Catherine Romagnolo, and Susan Winnett.
Inhaltsangabe
Editor's Preface 000 Acknowledgments 000 Introduction: Narrative Beginnings 000 Brian Richardson Part 1. Origins, Paratexts, and Prototypes 000 1. To Begin with the Beginning: Birth, Origin, and Narrative Inception 000 Niels Buch Leander 2. Before the Beginning: Nabokov and the Rhetoric of the Preface 000 Marilyn Edelstein 3. Stories, Wars, and Emotions: The Absoluteness of Narrative Beginnings 000 Patrick Colm Hogan 4. September 1939: Beginnings, Historical Narrative, and the Outbreak of World War II 000 Philippe Carrard Part 2. Beginnings in Narrative Literature 000 5. "The More I Write, the More I Shall Have to Write": The Many Beginnings of Tristram Shandy 000 Tita Chico 6. Virginia Woolf and Beginning's Ragged Edge 000 Melba Cuddy-Keane 7. A Theory of Narrative Beginnings and the Beginnings of "The Dead" and Molloy 000 Brian Richardson 8. Heartbreak Tango: Manual Puig's Counter-Archive 000 Carlos Riobó 9. Lost Beginnings in Salman Rushdie's Midnight's Children Gaura Shankar Narayan 000 10. Recessive Origins in Julia Alvarez's Garcia Girls: A Feminist Exploration of Narrative Beginnings 000 Catherine Romagnolo 11. Curtain Up? Disrupted, Disguised, and Delayed Beginnings in Theater and Drama 000 Ryan Claycomb 12. Where to Begin? Multiple Narrative Paths in Web Fiction 000 Jessica Laccetti Part 3. Beginnings and/as Endings 000 13. The Beginning of Beloved: A Rhetorical Approach 000 James Phelan 14. Connecting Links: Beginnings and Endings 000 Armine Kotin Mortimer 15. "Mr. Betwixt-and-Between": The Politics of Narrative Indeterminacy in Stevenson's Kidnapped and David Balfour 000 Oliver Buckton 16. Maculate Reconceptions 000 Susan Winnett Further Reading on Narrative Beginnings 000 Contributors 000 Index 000
Editor's Preface 000 Acknowledgments 000 Introduction: Narrative Beginnings 000 Brian Richardson Part 1. Origins, Paratexts, and Prototypes 000 1. To Begin with the Beginning: Birth, Origin, and Narrative Inception 000 Niels Buch Leander 2. Before the Beginning: Nabokov and the Rhetoric of the Preface 000 Marilyn Edelstein 3. Stories, Wars, and Emotions: The Absoluteness of Narrative Beginnings 000 Patrick Colm Hogan 4. September 1939: Beginnings, Historical Narrative, and the Outbreak of World War II 000 Philippe Carrard Part 2. Beginnings in Narrative Literature 000 5. "The More I Write, the More I Shall Have to Write": The Many Beginnings of Tristram Shandy 000 Tita Chico 6. Virginia Woolf and Beginning's Ragged Edge 000 Melba Cuddy-Keane 7. A Theory of Narrative Beginnings and the Beginnings of "The Dead" and Molloy 000 Brian Richardson 8. Heartbreak Tango: Manual Puig's Counter-Archive 000 Carlos Riobó 9. Lost Beginnings in Salman Rushdie's Midnight's Children Gaura Shankar Narayan 000 10. Recessive Origins in Julia Alvarez's Garcia Girls: A Feminist Exploration of Narrative Beginnings 000 Catherine Romagnolo 11. Curtain Up? Disrupted, Disguised, and Delayed Beginnings in Theater and Drama 000 Ryan Claycomb 12. Where to Begin? Multiple Narrative Paths in Web Fiction 000 Jessica Laccetti Part 3. Beginnings and/as Endings 000 13. The Beginning of Beloved: A Rhetorical Approach 000 James Phelan 14. Connecting Links: Beginnings and Endings 000 Armine Kotin Mortimer 15. "Mr. Betwixt-and-Between": The Politics of Narrative Indeterminacy in Stevenson's Kidnapped and David Balfour 000 Oliver Buckton 16. Maculate Reconceptions 000 Susan Winnett Further Reading on Narrative Beginnings 000 Contributors 000 Index 000
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