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Narrative Mourning argues that the cultural disappearance of the dead/dying body in eighteenth-century Britain found expression in fictional representations of the relic (object) or relict (person) within certain British novels. These relics/relicts exist as material signs of loss and as compensation for loss; they exist as surrogates for the absent (living, dead, or dying) and as reliquaries for their “psychic” essences.
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Narrative Mourning argues that the cultural disappearance of the dead/dying body in eighteenth-century Britain found expression in fictional representations of the relic (object) or relict (person) within certain British novels. These relics/relicts exist as material signs of loss and as compensation for loss; they exist as surrogates for the absent (living, dead, or dying) and as reliquaries for their “psychic” essences.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Bucknell University Press
- Seitenzahl: 220
- Erscheinungstermin: 17. Juli 2020
- Englisch
- Abmessung: 234mm x 155mm x 15mm
- Gewicht: 340g
- ISBN-13: 9781684481910
- ISBN-10: 1684481910
- Artikelnr.: 58021911
- Verlag: Bucknell University Press
- Seitenzahl: 220
- Erscheinungstermin: 17. Juli 2020
- Englisch
- Abmessung: 234mm x 155mm x 15mm
- Gewicht: 340g
- ISBN-13: 9781684481910
- ISBN-10: 1684481910
- Artikelnr.: 58021911
KATHLEEN M. OLIVER is the author of Samuel Richardson, Dress, and Discourse , and her essays on Daniel Defoe, Sarah Fielding, Samuel Richardson, Frances Sheridan, Charlotte Smith, and William Wycherley have appeared in peer-reviewed journals and scholarly collections. In 2002, she received the Emilie du Châtelet Award for Independent Scholarship, bestowed by the Women’s Caucus of the American Society for Eighteenth-Century Studies.
List of
Illustrations
Introduction: The Relic
Objects
1 “With My Hair in Crystal”: Commemorative Hair Jewelry and the
Entombed
Saint in Samuel Richardson’s Clarissa (1748)
2 “You Know Me Then”: The Relic versus the Real in Ann Radcliffe’s
Mysteries of
Udolpho (1794)
Part I. The Secret Life of Portraits
Part II. Death as the Lost Beloved
Persons
3 “All the Horrors of Friendship”: Counting the Bodies in Sarah
Fielding’s David
Simple (1744) and Volume the Last (1753)
Part I. The Sorrows of Young David: Melancholia
Part II. Double Vision: Allegory
4 “It is All for You!”: Dying for Love in Samuel Richardson’s The
History of Sir
Charles Grandison (1753)
Ghosts
5 “‘Tis at Least a Memorial for Those Who Survive”: The
It-Narrator, Death
Writing, and the Ghostwriter in Henry Mackenzie’s The Man of Feeling
(1771)
Conclusion: Death and the
Novel
Acknowledgments
Works
Cited
Index
Illustrations
Introduction: The Relic
Objects
1 “With My Hair in Crystal”: Commemorative Hair Jewelry and the
Entombed
Saint in Samuel Richardson’s Clarissa (1748)
2 “You Know Me Then”: The Relic versus the Real in Ann Radcliffe’s
Mysteries of
Udolpho (1794)
Part I. The Secret Life of Portraits
Part II. Death as the Lost Beloved
Persons
3 “All the Horrors of Friendship”: Counting the Bodies in Sarah
Fielding’s David
Simple (1744) and Volume the Last (1753)
Part I. The Sorrows of Young David: Melancholia
Part II. Double Vision: Allegory
4 “It is All for You!”: Dying for Love in Samuel Richardson’s The
History of Sir
Charles Grandison (1753)
Ghosts
5 “‘Tis at Least a Memorial for Those Who Survive”: The
It-Narrator, Death
Writing, and the Ghostwriter in Henry Mackenzie’s The Man of Feeling
(1771)
Conclusion: Death and the
Novel
Acknowledgments
Works
Cited
Index
List of
Illustrations
Introduction: The Relic
Objects
1 “With My Hair in Crystal”: Commemorative Hair Jewelry and the
Entombed
Saint in Samuel Richardson’s Clarissa (1748)
2 “You Know Me Then”: The Relic versus the Real in Ann Radcliffe’s
Mysteries of
Udolpho (1794)
Part I. The Secret Life of Portraits
Part II. Death as the Lost Beloved
Persons
3 “All the Horrors of Friendship”: Counting the Bodies in Sarah
Fielding’s David
Simple (1744) and Volume the Last (1753)
Part I. The Sorrows of Young David: Melancholia
Part II. Double Vision: Allegory
4 “It is All for You!”: Dying for Love in Samuel Richardson’s The
History of Sir
Charles Grandison (1753)
Ghosts
5 “‘Tis at Least a Memorial for Those Who Survive”: The
It-Narrator, Death
Writing, and the Ghostwriter in Henry Mackenzie’s The Man of Feeling
(1771)
Conclusion: Death and the
Novel
Acknowledgments
Works
Cited
Index
Illustrations
Introduction: The Relic
Objects
1 “With My Hair in Crystal”: Commemorative Hair Jewelry and the
Entombed
Saint in Samuel Richardson’s Clarissa (1748)
2 “You Know Me Then”: The Relic versus the Real in Ann Radcliffe’s
Mysteries of
Udolpho (1794)
Part I. The Secret Life of Portraits
Part II. Death as the Lost Beloved
Persons
3 “All the Horrors of Friendship”: Counting the Bodies in Sarah
Fielding’s David
Simple (1744) and Volume the Last (1753)
Part I. The Sorrows of Young David: Melancholia
Part II. Double Vision: Allegory
4 “It is All for You!”: Dying for Love in Samuel Richardson’s The
History of Sir
Charles Grandison (1753)
Ghosts
5 “‘Tis at Least a Memorial for Those Who Survive”: The
It-Narrator, Death
Writing, and the Ghostwriter in Henry Mackenzie’s The Man of Feeling
(1771)
Conclusion: Death and the
Novel
Acknowledgments
Works
Cited
Index