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Folk tales of Burma (now known as Myanmar) have been preserved for centuries as part of a long folk tradition reflecting Burmese humor, romance, and wisdom. This book provides the first in-depth overview of the narrative structures in Burmese folk tales. Earlier studies of Myanmar folk tales have focused on the narrative motifs or contents and the ethnic or geographical areas, but have left out the study of the structural patterns that make up the storylines in different types of tales. In this book, besides identifying the functional events in Burmese folk tales, how these events are linked…mehr

Produktbeschreibung
Folk tales of Burma (now known as Myanmar) have been preserved for centuries as part of a long folk tradition reflecting Burmese humor, romance, and wisdom. This book provides the first in-depth overview of the narrative structures in Burmese folk tales. Earlier studies of Myanmar folk tales have focused on the narrative motifs or contents and the ethnic or geographical areas, but have left out the study of the structural patterns that make up the storylines in different types of tales. In this book, besides identifying the functional events in Burmese folk tales, how these events are linked into various plot structures resulting in different types of tales is examined. The functional events identified in the tales are classified into different models, such as reward/punishment, interdiction/violation, problem/solution, trickster tales, and fairy tales. The degree of linearity in terms of the temporal and/or causal relations between functional events of a tale is also examined. Drawing on the concept of sequential meaning, this study aims to explain how a linear coherent storyline is developed for a well-organized narrative structure, even though the sequence of events in a tale may not be identical to that of the other. In cases where a sequence of events does not follow a familiar trajectory, the analysis in this book explains how special effects, such as humor, are created. This book contributes not only to the appreciation of Burmese folk tales and the Burmese culture, but it also aids in the understanding of the relationship between the form (narrative structure), function (social purpose), and field (narrative content) of folk tales with oral storytelling in general. It also highlights a structural analysis of folk tales as a means, rather than an end, by identifying the areas in which further research can be done. Narrative Structures in Burmese Folk Tales is an important and useful reference for anyone working in the fields of narrative studies, classification of tales, folklore, and oral storytelling.
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