Nashville Cats: Record Production in Music City, 1945-1975 explores the roles that recording engineers, session musicians, and record producers played in shaping the sounds of country music during the fertile "Nashville Sound" era.
Nashville Cats: Record Production in Music City, 1945-1975 explores the roles that recording engineers, session musicians, and record producers played in shaping the sounds of country music during the fertile "Nashville Sound" era.
Travis D. Stimeling is Associate Professor of Musicology at the West Virginia University School of Music, where he also directs the WVU Bluegrass and Old-Time Bands. He is the author of Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Scene (OUP, 2011) and The Country Music Reader (OUP, 2015), and edited The Oxford Handbook of Country Music (OUP, 2017).
Inhaltsangabe
Acknowledgements Introduction Chapter 1: The Birth of the Nashville Recording Industry Chapter 2: The Musicianship of the Nashville Cats Chapter 3: Musical Branding, Artist Identity, and the Nashville Sound Chapter 4: Musical Labor and the Nashville Studio System Afterword Works Cited
Acknowledgements Introduction Chapter 1: The Birth of the Nashville Recording Industry Chapter 2: The Musicianship of the Nashville Cats Chapter 3: Musical Branding, Artist Identity, and the Nashville Sound Chapter 4: Musical Labor and the Nashville Studio System Afterword Works Cited
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