This volume explores the Indian artist, K. Venkatappa's (1886-1965) life, his works and the political and cultural contexts that influenced and inspired his art. It looks at the artist's style and examines the question of modernity in Indian art through the interstices of the regional and the national.
This volume explores the Indian artist, K. Venkatappa's (1886-1965) life, his works and the political and cultural contexts that influenced and inspired his art. It looks at the artist's style and examines the question of modernity in Indian art through the interstices of the regional and the national.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Deeptha Achar is a Professor at the Department of English, Faculty of Arts, Maharaja Sayajirao University of Baroda, Gujarat, India. Her publications include The Age of Adventure: Childhood, Reading and British Boys' Fiction (2010) and she has co-edited Towards New Art History: Studies in Indian Art (2003). Pushpamala N. is an internationally recognized independent artist, writer and curator and one of the pioneering conceptual artists in India. She is known for her strong feminist work, informed by cultural theory and social science. Her essays have been published internationally and she has presented papers at several major conferences on visual studies, cultural studies, contemporary art and art history in India and abroad.
Inhaltsangabe
List of illustrations Series editor's preface Acknowledgements 1. Introduction Deeptha Achar and Pushpamala N Part I Figuring the Artist: The Life and Times of K Venkatappa 2. Old Mysore: A Milieu for an Artist Chandan Gowda 3. Venkatappa's Calcutta Interlude and His Career at Large R Sivakumar 4. Life Writing and the Self-fashioning of the Artist R H Kulkarni Part II Situating Venkatappa: International Contexts and National Concerns 4. The Creation of an Alternative Regional Avant-garde: Rabindranath Tagore, Okakura Tenshin and Pan-Asianism Partha Mitter 5. Sadanga's Aesthetic Division of Labour: Abanindranath Tagore and Venkatappa's Shaping of a New National Self Parul Dave Mukherji 7. "Mysore Modern" across the Arts Ajay Sinha Part III Venkatappa, Colonial Modernity and the Question of Region 8. Actor of His Own Ideal: K. Venkatappa and the Consolidation of Artistic Persona R. Nandakumar 9. The Language of Line: K. Venkatappa and K.K. Hebbar Suresh Jayaram 10 Kannada Romanticism: Kuvempu and Venkatappa Mamta Sagar Part IV Venkatappa and the Fashioning of a Modernist Idiom 11. Speculations and Provocations around Venkatappa's Bas-Reliefs Pushpamala N 12. The Plant Studies of K Venkatappa: The Artist's Kinship with Nature, Truth, and Rationality Srajana Kaikini 13 The Long Exposure: Painting and Photography in Early Twentieth Century Mysore Shukla Sawant Part V: K. Venkatappa: Another Genre, Another World 14 A South-Easterly Approach to the Developing Cold Front (or the Creative and Business Explorations of a True Crinsepian) Abhishek Hazra 15. Afterword: Venkatappa's Legacy for Our Times Janaki Nair Index
List of illustrations Series editor's preface Acknowledgements 1. Introduction Deeptha Achar and Pushpamala N Part I Figuring the Artist: The Life and Times of K Venkatappa 2. Old Mysore: A Milieu for an Artist Chandan Gowda 3. Venkatappa's Calcutta Interlude and His Career at Large R Sivakumar 4. Life Writing and the Self-fashioning of the Artist R H Kulkarni Part II Situating Venkatappa: International Contexts and National Concerns 4. The Creation of an Alternative Regional Avant-garde: Rabindranath Tagore, Okakura Tenshin and Pan-Asianism Partha Mitter 5. Sadanga's Aesthetic Division of Labour: Abanindranath Tagore and Venkatappa's Shaping of a New National Self Parul Dave Mukherji 7. "Mysore Modern" across the Arts Ajay Sinha Part III Venkatappa, Colonial Modernity and the Question of Region 8. Actor of His Own Ideal: K. Venkatappa and the Consolidation of Artistic Persona R. Nandakumar 9. The Language of Line: K. Venkatappa and K.K. Hebbar Suresh Jayaram 10 Kannada Romanticism: Kuvempu and Venkatappa Mamta Sagar Part IV Venkatappa and the Fashioning of a Modernist Idiom 11. Speculations and Provocations around Venkatappa's Bas-Reliefs Pushpamala N 12. The Plant Studies of K Venkatappa: The Artist's Kinship with Nature, Truth, and Rationality Srajana Kaikini 13 The Long Exposure: Painting and Photography in Early Twentieth Century Mysore Shukla Sawant Part V: K. Venkatappa: Another Genre, Another World 14 A South-Easterly Approach to the Developing Cold Front (or the Creative and Business Explorations of a True Crinsepian) Abhishek Hazra 15. Afterword: Venkatappa's Legacy for Our Times Janaki Nair Index
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