National Museums and Nation-building in Europe 1750-2010 examines the degree to which national museums have created models and representations of nations, their past, present and future, and proceeds to assess the consequences of such attempts.
National Museums and Nation-building in Europe 1750-2010 examines the degree to which national museums have created models and representations of nations, their past, present and future, and proceeds to assess the consequences of such attempts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter Aronsson is a historian and held a chair in Cultural Heritage and Uses of the Past at Linköping University. He has co-edited National Museums: New Studies from around the World (Routledge, 2011) and Performing Nordic Heritage (2013). Gabriella Elgenius is associate professor of Sociology at the University of Gothenburg and associate member of Nuffield College and the Department of Sociology at the University of Oxford. She is the author of Symbols of Nations and Nationalism: Celebrating Nationhood (2011).
Inhaltsangabe
Introduction 1. Towards a Typology: the changing roles of Art Museums 2. Cultural History Museums and the making of Citizens and Communities 3. National Museums in between Regionalism Nationalism and Imperialism 1750 - 1914 4. Post-imperial Nations: new states new borders and new unions 1914-2010 5. Conflicted Histories: museums nations empires religions 6. National Museums and National Symbols: searching for the 'symbolic regimes' of Europe Conclusion: The National Museum as a Cultural Constitution
Introduction 1. Towards a Typology: the changing roles of Art Museums 2. Cultural History Museums and the making of Citizens and Communities 3. National Museums in between Regionalism Nationalism and Imperialism 1750 - 1914 4. Post-imperial Nations: new states new borders and new unions 1914-2010 5. Conflicted Histories: museums nations empires religions 6. National Museums and National Symbols: searching for the 'symbolic regimes' of Europe Conclusion: The National Museum as a Cultural Constitution
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