Laurence Senelick (ed.)
National Theatre in Northern and Eastern Europe, 1746 1900
Herausgeber: Senelick, Laurence
Laurence Senelick (ed.)
National Theatre in Northern and Eastern Europe, 1746 1900
Herausgeber: Senelick, Laurence
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Chronicles the emergence of a national feeling in the theatres of Northern and Eastern Europe from the mid-eighteenth to the late nineteenth centuries.
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Chronicles the emergence of a national feeling in the theatres of Northern and Eastern Europe from the mid-eighteenth to the late nineteenth centuries.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 512
- Erscheinungstermin: 1. Oktober 2014
- Englisch
- Abmessung: 235mm x 157mm x 32mm
- Gewicht: 885g
- ISBN-13: 9780521244466
- ISBN-10: 0521244463
- Artikelnr.: 29339016
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 512
- Erscheinungstermin: 1. Oktober 2014
- Englisch
- Abmessung: 235mm x 157mm x 32mm
- Gewicht: 885g
- ISBN-13: 9780521244466
- ISBN-10: 0521244463
- Artikelnr.: 29339016
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
List of documents
General editors' preface
Editor's preface
General introduction
Denmark, 1746-1889 Peter Bilton: 1. Legislation and administration 1746-70
2. The audience in 1771
3. Acting and stage management 1773-1843
4. Under the ministry of culture 1849-89
Sweden, 1765-1900 Peter Bilton: 1. The Gustavian period 1765-90
2. The Royal monopoly 1790-1810
3. Management and acting at the Royal Theatres 1796-1841
4. The Nya teaternz and change in the Royal Theatre 1842-68
5. Nationalisation vs private management 1870-1900
Norway, 1825-1909 Peter Bilton: 1. Stromberg's theatre in Christiania 1825-32
2. The new theatre in Christiania 1835-40
3. The first Bergen venture 1849-63
4. Pro-Norwegian activity in Christiania 1847-65
5. The national stage in Bergen 1872-1909
6. Management and enlarging the Christiania theatre 1874-87
Poland, 1765-1830 Karyna Wierzbicka-Michalska: 1. The first National Theatre 1765-74
2. The repertory expands 1778-1808
3. Improvements in administration and acting 1810-16
4. The government takes over 1821-9
Czech Lands (Bohemia and Moravia), 1784-1881 Barbara Day: 1. The Nostiz and Bouda Theatres 1784-93
2. The Theatre of the Estates 1814-35
3. The Cajetan Theatre and the theatre in Ruzova Street 1835-45
4. Tyl's leadership and its oppostition 1846-50
5. The move for a national theatre 1851-81
Hungary, 1810-38 George Bisztray: 1. Canvasing for a national theatre 1810-27
2. Building and managing a national theatre 1832-8
Romania, 1818-53 Bogdan Mischiu: 1. Early Romanian-language performances in Bucharest 1818-19
2. The Philharmonic Society of Bucharest 1834-7
3. Establishing a state theatre in Bucharest 1840-52
4. The theatre in Jassy 1832-46
Russia, 1812-98 Laurence Senelick: 1. Establishment of a post-Napoleonic Russian theatre 1812-20
2. Acting 1810-50
3. Gogol' and the call for a new repertoire 1836-42
4. Staging and management 1839-50
5. The advent of Ostrovsky 1855-60
6. Actor training 1850-90
7. Imperial theatres 1855-1910
8. Provincial, private and people's theatres 1870-97
9. Foundation of the Moscow Art Theatre 1897-8
Bibliography
Scandinavia: general
Denmark
Sweden
Norway
Poland
Czech Lands
Hungary
Romania
Russia Index.
General editors' preface
Editor's preface
General introduction
Denmark, 1746-1889 Peter Bilton: 1. Legislation and administration 1746-70
2. The audience in 1771
3. Acting and stage management 1773-1843
4. Under the ministry of culture 1849-89
Sweden, 1765-1900 Peter Bilton: 1. The Gustavian period 1765-90
2. The Royal monopoly 1790-1810
3. Management and acting at the Royal Theatres 1796-1841
4. The Nya teaternz and change in the Royal Theatre 1842-68
5. Nationalisation vs private management 1870-1900
Norway, 1825-1909 Peter Bilton: 1. Stromberg's theatre in Christiania 1825-32
2. The new theatre in Christiania 1835-40
3. The first Bergen venture 1849-63
4. Pro-Norwegian activity in Christiania 1847-65
5. The national stage in Bergen 1872-1909
6. Management and enlarging the Christiania theatre 1874-87
Poland, 1765-1830 Karyna Wierzbicka-Michalska: 1. The first National Theatre 1765-74
2. The repertory expands 1778-1808
3. Improvements in administration and acting 1810-16
4. The government takes over 1821-9
Czech Lands (Bohemia and Moravia), 1784-1881 Barbara Day: 1. The Nostiz and Bouda Theatres 1784-93
2. The Theatre of the Estates 1814-35
3. The Cajetan Theatre and the theatre in Ruzova Street 1835-45
4. Tyl's leadership and its oppostition 1846-50
5. The move for a national theatre 1851-81
Hungary, 1810-38 George Bisztray: 1. Canvasing for a national theatre 1810-27
2. Building and managing a national theatre 1832-8
Romania, 1818-53 Bogdan Mischiu: 1. Early Romanian-language performances in Bucharest 1818-19
2. The Philharmonic Society of Bucharest 1834-7
3. Establishing a state theatre in Bucharest 1840-52
4. The theatre in Jassy 1832-46
Russia, 1812-98 Laurence Senelick: 1. Establishment of a post-Napoleonic Russian theatre 1812-20
2. Acting 1810-50
3. Gogol' and the call for a new repertoire 1836-42
4. Staging and management 1839-50
5. The advent of Ostrovsky 1855-60
6. Actor training 1850-90
7. Imperial theatres 1855-1910
8. Provincial, private and people's theatres 1870-97
9. Foundation of the Moscow Art Theatre 1897-8
Bibliography
Scandinavia: general
Denmark
Sweden
Norway
Poland
Czech Lands
Hungary
Romania
Russia Index.
List of documents
General editors' preface
Editor's preface
General introduction
Denmark, 1746-1889 Peter Bilton: 1. Legislation and administration 1746-70
2. The audience in 1771
3. Acting and stage management 1773-1843
4. Under the ministry of culture 1849-89
Sweden, 1765-1900 Peter Bilton: 1. The Gustavian period 1765-90
2. The Royal monopoly 1790-1810
3. Management and acting at the Royal Theatres 1796-1841
4. The Nya teaternz and change in the Royal Theatre 1842-68
5. Nationalisation vs private management 1870-1900
Norway, 1825-1909 Peter Bilton: 1. Stromberg's theatre in Christiania 1825-32
2. The new theatre in Christiania 1835-40
3. The first Bergen venture 1849-63
4. Pro-Norwegian activity in Christiania 1847-65
5. The national stage in Bergen 1872-1909
6. Management and enlarging the Christiania theatre 1874-87
Poland, 1765-1830 Karyna Wierzbicka-Michalska: 1. The first National Theatre 1765-74
2. The repertory expands 1778-1808
3. Improvements in administration and acting 1810-16
4. The government takes over 1821-9
Czech Lands (Bohemia and Moravia), 1784-1881 Barbara Day: 1. The Nostiz and Bouda Theatres 1784-93
2. The Theatre of the Estates 1814-35
3. The Cajetan Theatre and the theatre in Ruzova Street 1835-45
4. Tyl's leadership and its oppostition 1846-50
5. The move for a national theatre 1851-81
Hungary, 1810-38 George Bisztray: 1. Canvasing for a national theatre 1810-27
2. Building and managing a national theatre 1832-8
Romania, 1818-53 Bogdan Mischiu: 1. Early Romanian-language performances in Bucharest 1818-19
2. The Philharmonic Society of Bucharest 1834-7
3. Establishing a state theatre in Bucharest 1840-52
4. The theatre in Jassy 1832-46
Russia, 1812-98 Laurence Senelick: 1. Establishment of a post-Napoleonic Russian theatre 1812-20
2. Acting 1810-50
3. Gogol' and the call for a new repertoire 1836-42
4. Staging and management 1839-50
5. The advent of Ostrovsky 1855-60
6. Actor training 1850-90
7. Imperial theatres 1855-1910
8. Provincial, private and people's theatres 1870-97
9. Foundation of the Moscow Art Theatre 1897-8
Bibliography
Scandinavia: general
Denmark
Sweden
Norway
Poland
Czech Lands
Hungary
Romania
Russia Index.
General editors' preface
Editor's preface
General introduction
Denmark, 1746-1889 Peter Bilton: 1. Legislation and administration 1746-70
2. The audience in 1771
3. Acting and stage management 1773-1843
4. Under the ministry of culture 1849-89
Sweden, 1765-1900 Peter Bilton: 1. The Gustavian period 1765-90
2. The Royal monopoly 1790-1810
3. Management and acting at the Royal Theatres 1796-1841
4. The Nya teaternz and change in the Royal Theatre 1842-68
5. Nationalisation vs private management 1870-1900
Norway, 1825-1909 Peter Bilton: 1. Stromberg's theatre in Christiania 1825-32
2. The new theatre in Christiania 1835-40
3. The first Bergen venture 1849-63
4. Pro-Norwegian activity in Christiania 1847-65
5. The national stage in Bergen 1872-1909
6. Management and enlarging the Christiania theatre 1874-87
Poland, 1765-1830 Karyna Wierzbicka-Michalska: 1. The first National Theatre 1765-74
2. The repertory expands 1778-1808
3. Improvements in administration and acting 1810-16
4. The government takes over 1821-9
Czech Lands (Bohemia and Moravia), 1784-1881 Barbara Day: 1. The Nostiz and Bouda Theatres 1784-93
2. The Theatre of the Estates 1814-35
3. The Cajetan Theatre and the theatre in Ruzova Street 1835-45
4. Tyl's leadership and its oppostition 1846-50
5. The move for a national theatre 1851-81
Hungary, 1810-38 George Bisztray: 1. Canvasing for a national theatre 1810-27
2. Building and managing a national theatre 1832-8
Romania, 1818-53 Bogdan Mischiu: 1. Early Romanian-language performances in Bucharest 1818-19
2. The Philharmonic Society of Bucharest 1834-7
3. Establishing a state theatre in Bucharest 1840-52
4. The theatre in Jassy 1832-46
Russia, 1812-98 Laurence Senelick: 1. Establishment of a post-Napoleonic Russian theatre 1812-20
2. Acting 1810-50
3. Gogol' and the call for a new repertoire 1836-42
4. Staging and management 1839-50
5. The advent of Ostrovsky 1855-60
6. Actor training 1850-90
7. Imperial theatres 1855-1910
8. Provincial, private and people's theatres 1870-97
9. Foundation of the Moscow Art Theatre 1897-8
Bibliography
Scandinavia: general
Denmark
Sweden
Norway
Poland
Czech Lands
Hungary
Romania
Russia Index.