Case studies examine competing definitions of feminism, contoured by The Second World War, circulating in cinema, women's magazines, social policies, government pamphlets, fashion, and broadcasting
Case studies examine competing definitions of feminism, contoured by The Second World War, circulating in cinema, women's magazines, social policies, government pamphlets, fashion, and broadcastingHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christine Gledhill is Professor of Media Studies in the Faculty of Arts, Design and Media at the University of Sunderland. Gillian Swanson is Readerof Cultural History at the University of the West of England
Inhaltsangabe
1. Prologue: mobile femininity PART ONE Mobile women: change and regulation 2. 'The girl that makes the thing . . . ': discourses of women and work in the Second World War 3. 'Bombs don't discriminate!' Women's political activism in the Second World War 4. 'So much money and so little to spend it on': morale, consumption and sexuality 5. Good wives and moral lives: marriage and divorce 1937-51 PART TWO Fashioning the national self: cultural practices and representations 6. 'Pulling our weight in the call-up of women': class and gender in British radio in the Second World War 7. Putting the black women in the frame: Una Marson and the West Indian challenge to British national identity 8. Women's magazines: times of war and management of the self in Woman's Own 9. The Family Firm restored: newsreel coverage of the British monarchy 1936-45 10. Fashioning the feminine: dress, appearance and femininity in wartime Britain PART THREE Nationialising femininity: the case of British cinema 11. Cinema Culture and femininity in the 1930s 12. The years of total war: propaganda and entertainment 13. 'An abundance of understatement': documentary, melodrama and romance 14. Disguises and betrayals: negotiating nationality and femininity in three wartime films 15. The female audience: mobile women and married ladies 16. Stepping out or out of step? Austerity, affluence and femininity in two post-war films 17. Two weddings and two funerals: the problem of the post-war woman
1. Prologue: mobile femininity PART ONE Mobile women: change and regulation 2. 'The girl that makes the thing . . . ': discourses of women and work in the Second World War 3. 'Bombs don't discriminate!' Women's political activism in the Second World War 4. 'So much money and so little to spend it on': morale, consumption and sexuality 5. Good wives and moral lives: marriage and divorce 1937-51 PART TWO Fashioning the national self: cultural practices and representations 6. 'Pulling our weight in the call-up of women': class and gender in British radio in the Second World War 7. Putting the black women in the frame: Una Marson and the West Indian challenge to British national identity 8. Women's magazines: times of war and management of the self in Woman's Own 9. The Family Firm restored: newsreel coverage of the British monarchy 1936-45 10. Fashioning the feminine: dress, appearance and femininity in wartime Britain PART THREE Nationialising femininity: the case of British cinema 11. Cinema Culture and femininity in the 1930s 12. The years of total war: propaganda and entertainment 13. 'An abundance of understatement': documentary, melodrama and romance 14. Disguises and betrayals: negotiating nationality and femininity in three wartime films 15. The female audience: mobile women and married ladies 16. Stepping out or out of step? Austerity, affluence and femininity in two post-war films 17. Two weddings and two funerals: the problem of the post-war woman
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