Nationalist African Cinema: Legacy and Transformations reexamines African cinema of the nationalist era within the context of contemporary major Euro-American film trends. It argues that that the aesthetic diversification of African cinema can be traced as far back as the nationalist era.
Nationalist African Cinema: Legacy and Transformations reexamines African cinema of the nationalist era within the context of contemporary major Euro-American film trends. It argues that that the aesthetic diversification of African cinema can be traced as far back as the nationalist era.
Sada Niang is a professor of French at the University of Victoria.
Inhaltsangabe
Introduction Chapter 1: The Fepaci, its genesis and its artistic legacies Chapter 2: Neorealism and nationalist African cinema Chapter 3: Nationalist African cinema, The Gangster and the Western Chapter 4: Nationalist African cinema and the French New Wave Chapter 5: The Challenge of Moustapha Alassane: Animation in nationalist African Cinema Chapter 6: Mahama Johnson Traoré's Lambaye (1972): Making the Case for Adaptation in Nationalist African cinema Conclusion Bibliography
Introduction Chapter 1: The Fepaci, its genesis and its artistic legacies Chapter 2: Neorealism and nationalist African cinema Chapter 3: Nationalist African cinema, The Gangster and the Western Chapter 4: Nationalist African cinema and the French New Wave Chapter 5: The Challenge of Moustapha Alassane: Animation in nationalist African Cinema Chapter 6: Mahama Johnson Traoré's Lambaye (1972): Making the Case for Adaptation in Nationalist African cinema Conclusion Bibliography
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