Through case studies of Scottish, English, and "Black Atlantic" poetries from the landmark modernist year of 1922 through the mid 1970s, Nations of Nothing But Poetry looks to answer what happens when poets combine vernacular language with the spirit of modernity.
Through case studies of Scottish, English, and "Black Atlantic" poetries from the landmark modernist year of 1922 through the mid 1970s, Nations of Nothing But Poetry looks to answer what happens when poets combine vernacular language with the spirit of modernity.
Matthew Hart is Assistant Professor of English and Comparative Literature at Columbia University.
Inhaltsangabe
Introduction Chapter 1 Vernacular Discourse from Major to Minor Chapter 2 The Impossibility of Synthetic Scots; or, Hugh MacDiarmid's Nationalist Internationalism Chapter 3 A Dialect Written in the Spelling of the Capital: Basil Bunting Goes Home Chapter 4 Tradition and the Postcolonial Talent: T. S. Eliot versus E. K. Brathwaite Chapter 5 Transnational Anthems and the Ship of State: Harryette Mullen, Melvin B. Tolson and the Politics of Afro-Modernism Epilogue Denationalizing Mina Loy
Introduction Chapter 1 Vernacular Discourse from Major to Minor Chapter 2 The Impossibility of Synthetic Scots; or, Hugh MacDiarmid's Nationalist Internationalism Chapter 3 A Dialect Written in the Spelling of the Capital: Basil Bunting Goes Home Chapter 4 Tradition and the Postcolonial Talent: T. S. Eliot versus E. K. Brathwaite Chapter 5 Transnational Anthems and the Ship of State: Harryette Mullen, Melvin B. Tolson and the Politics of Afro-Modernism Epilogue Denationalizing Mina Loy
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