This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface xi Acknowledgments xxix 1. Art and Modern Indian Policy 1 2. The Culture Brokers: The Pueblo Paintings of José Lente and Jimmy Brynes 30 3. "Our Inter-American Consciousness": Barnett Newman and the Primitive Universal 59 4. The Importance of Place: The Ojibwe Modernism of Patrick DesJarlait and George Morrison 89 5. Becoming Indian: The Self-Invention of Yeffe Kimball 117 6. "A fine painting . . . but not Indian": Oscar Howe, Dick West, and Native American Modernism 142 Postscript: Making Modern Native American Artists 171 Notes 183 Bibliography 217 Index 227
Preface xi Acknowledgments xxix 1. Art and Modern Indian Policy 1 2. The Culture Brokers: The Pueblo Paintings of José Lente and Jimmy Brynes 30 3. "Our Inter-American Consciousness": Barnett Newman and the Primitive Universal 59 4. The Importance of Place: The Ojibwe Modernism of Patrick DesJarlait and George Morrison 89 5. Becoming Indian: The Self-Invention of Yeffe Kimball 117 6. "A fine painting . . . but not Indian": Oscar Howe, Dick West, and Native American Modernism 142 Postscript: Making Modern Native American Artists 171 Notes 183 Bibliography 217 Index 227
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