Tara Stubbs is a University Lecturer in English Literature and Creative Writing in the Department for Continuing Education at Oxford University, UK. Doug Haynes is a Lecturer in American Studies at the School of English, University of Sussex, UK.
Tara Stubbs is a University Lecturer in English Literature and Creative Writing in the Department for Continuing Education at Oxford University, UK. Doug Haynes is a Lecturer in American Studies at the School of English, University of Sussex, UK.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: Axes of Influence: Navigating the Transnational [Tara Stubbs and Doug Haynes] Dickinson, Plath and The Ballooning Tradition of American Poetry [Will May] "Nature is bad art:" Bad Transnationalism from Earthrise to Deep Horizon [Stephen Ross] The Man and the Echo: W. B. Yeats in contemporary American poetry and song [Tara Stubbs] Good Grief: Paul Muldoon's Elegies from Ireland to America and Beyond [Erica McAlpine] "Thus he ran from home / toward home:" Influence and Authority in the Poetry of John Berryman] [Philip Coleman] Ginsberg, Burroughs and the Ghosts of the Avant-Garde [Will Norman] "Gray and Waiting:" telepathy and terror in Don DeLillo's Falling Man and Gerhard Richter's October 18, 1977 [Doug Haynes] The Culture of Realignment: Enlightened and "I can't breathe" [Stephen Shapiro] Locating transnationalism: Circle magazine and California modernism in the 1940s [Joanna Pawlik] Shifting Peripheries: Basil Bunting, Lorine Niedecker and the Translocal Avant-Garde [Annabel Haynes] Stuttered Orientations: Robert Creeley and Paul Celan via Jean Daive [John Steen] "A Selective Embrace:" Singling Out All Our Names in Obama's End Times [John Masterson] Antagonism, Antagonism!: Faulkner, Haiti, Text [James Harding] Typology and Subjectivity in Faulkner and Beowulf [Hannah Bailey-McKendrick] Afterword [Paul Giles]
Introduction: Axes of Influence: Navigating the Transnational [Tara Stubbs and Doug Haynes] Dickinson, Plath and The Ballooning Tradition of American Poetry [Will May] "Nature is bad art:" Bad Transnationalism from Earthrise to Deep Horizon [Stephen Ross] The Man and the Echo: W. B. Yeats in contemporary American poetry and song [Tara Stubbs] Good Grief: Paul Muldoon's Elegies from Ireland to America and Beyond [Erica McAlpine] "Thus he ran from home / toward home:" Influence and Authority in the Poetry of John Berryman] [Philip Coleman] Ginsberg, Burroughs and the Ghosts of the Avant-Garde [Will Norman] "Gray and Waiting:" telepathy and terror in Don DeLillo's Falling Man and Gerhard Richter's October 18, 1977 [Doug Haynes] The Culture of Realignment: Enlightened and "I can't breathe" [Stephen Shapiro] Locating transnationalism: Circle magazine and California modernism in the 1940s [Joanna Pawlik] Shifting Peripheries: Basil Bunting, Lorine Niedecker and the Translocal Avant-Garde [Annabel Haynes] Stuttered Orientations: Robert Creeley and Paul Celan via Jean Daive [John Steen] "A Selective Embrace:" Singling Out All Our Names in Obama's End Times [John Masterson] Antagonism, Antagonism!: Faulkner, Haiti, Text [James Harding] Typology and Subjectivity in Faulkner and Beowulf [Hannah Bailey-McKendrick] Afterword [Paul Giles]
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