The book is the first scholarly work that considers specifically the complexity of the international Neapolitan song scene through case studies from Greece, Argentina, the Middle East, and the United States, employing analyses of iconographical sources and international films devoted to the canzone napoletana.
The book is the first scholarly work that considers specifically the complexity of the international Neapolitan song scene through case studies from Greece, Argentina, the Middle East, and the United States, employing analyses of iconographical sources and international films devoted to the canzone napoletana.
Goffredo Plastino is reader in ethnomusicology at the International Centre for Music Studies, Newcastle University, UK. He has published widely on folk and popular music, field recordings, and jazz. Joseph Sciorra is director for academic and cultural programs at the John D. Calandra Italian American Institute, Queens College (City University of New York). As a folklorist, he has published on religious practices, material culture, and popular music, among other topics.
Inhaltsangabe
Foreword: Neapolitan Postcards Martin Stokes Chapter 1: Echoes of Naples Goffredo Plastino Chapter 2: A Mediterranean Triangle: Naples, Smyrna, Athens Franco Fabbri Chapter 3: The Neapolitan Sound Goes Around: Mechanical Music Instruments, Talking Machines, and Neapolitan Song (1850-1925) Anita Pesce Chapter 4: The Folk Within: On Some Neapolitan Productions in Early Twentieth-Century Italian-American Records Giuliana Fugazzotto Chapter 5: New York City Neapolitan Music from the Calandra Institute's Mark Pezzano Collection Rosangela Briscese and Joseph Sciorra Chapter 6: You Can Go Home Again, and Again: Santa Lucia Luntana, the Film Giorgio Bertellini Chapter 7: Diasporic Musings on Veracity and Uncertainties of "Core 'ngrato" Joseph Sciorra Chapter 8: Napoli in Buenos Aires: From Canzonetta to Tango Canción Ana Cara Chapter 9: The Good, the Bad, and the Ugly: Transatlantic Stereotypes 1880s-1950s Paolo Prato Chapter 10: Blues in the Bay: The Bluesology of James Senese and Raiz Alessandro Buffa and Iain Chambers Afterword:Neapolitan Postcards and Metaphorical Materiality: Ontologies of Intimacy Philip V. Bohlman
Foreword: Neapolitan Postcards Martin Stokes Chapter 1: Echoes of Naples Goffredo Plastino Chapter 2: A Mediterranean Triangle: Naples, Smyrna, Athens Franco Fabbri Chapter 3: The Neapolitan Sound Goes Around: Mechanical Music Instruments, Talking Machines, and Neapolitan Song (1850-1925) Anita Pesce Chapter 4: The Folk Within: On Some Neapolitan Productions in Early Twentieth-Century Italian-American Records Giuliana Fugazzotto Chapter 5: New York City Neapolitan Music from the Calandra Institute's Mark Pezzano Collection Rosangela Briscese and Joseph Sciorra Chapter 6: You Can Go Home Again, and Again: Santa Lucia Luntana, the Film Giorgio Bertellini Chapter 7: Diasporic Musings on Veracity and Uncertainties of "Core 'ngrato" Joseph Sciorra Chapter 8: Napoli in Buenos Aires: From Canzonetta to Tango Canción Ana Cara Chapter 9: The Good, the Bad, and the Ugly: Transatlantic Stereotypes 1880s-1950s Paolo Prato Chapter 10: Blues in the Bay: The Bluesology of James Senese and Raiz Alessandro Buffa and Iain Chambers Afterword:Neapolitan Postcards and Metaphorical Materiality: Ontologies of Intimacy Philip V. Bohlman
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