As its title suggests, Negative/Positive begins with the negative, a foundational element of analog photography that is nonetheless usually ignored, and uses this to tell a representative, rather than comprehensive, history of the medium.
As its title suggests, Negative/Positive begins with the negative, a foundational element of analog photography that is nonetheless usually ignored, and uses this to tell a representative, rather than comprehensive, history of the medium.
Geoffrey Batchen is Professor of History of Art at the University of Oxford. His books include Burning with Desire: The conception of photography (1997), Each Wild Idea: Writing, Photography, History (2001), Emanations: The art of the cameraless photograph (2016), and Apparitions: Photography and Dissemination (2018).
Inhaltsangabe
1. Negatives and Positives 2. Inventing Negatives 3. Photographic Drawings 4. More of the Same 5. Control Methods 6. Created Worlds 7. Hiding in Plain Sight 8. The Cult of the Negative 9. Electricity Made Visible 10. Authorship and Ownership 11. Refashioning a Past 12. Return of the Repressed 13. Proper Names 14. Does Size Matter? 15. Ordering Things 16. Poses and Settings 17. Hidden Mothers 18. Collecting Things 19. Still Life 20. Repetition and Difference 21. Negative/Positive.
1. Negatives and Positives 2. Inventing Negatives 3. Photographic Drawings 4. More of the Same 5. Control Methods 6. Created Worlds 7. Hiding in Plain Sight 8. The Cult of the Negative 9. Electricity Made Visible 10. Authorship and Ownership 11. Refashioning a Past 12. Return of the Repressed 13. Proper Names 14. Does Size Matter? 15. Ordering Things 16. Poses and Settings 17. Hidden Mothers 18. Collecting Things 19. Still Life 20. Repetition and Difference 21. Negative/Positive.
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