Placing the body at the center of critical improvisation studies, the contributors to Negotiated Moments explore the challenges of negotiating subjectivity through improvisation in various formsâ from jazz, Japanese taiko drumming, and Iranian classical music to sound walking and political street theater.
Placing the body at the center of critical improvisation studies, the contributors to Negotiated Moments explore the challenges of negotiating subjectivity through improvisation in various formsâ from jazz, Japanese taiko drumming, and Iranian classical music to sound walking and political street theater.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gillian Siddall is Dean of the Faculty of Social Sciences and Humanities at Lakehead University. Ellen Waterman is Professor of Music at Memorial University of Newfoundland and the coeditor of Art of Immersive Soundscapes.
Inhaltsangabe
Acknowledgments xi Introduction: Improvising at the Nexus of Discursive and Material Bodies / Gillian Siddall and Ellen Waterman 1 1. Improvisation within a Scene of Constraint: An Interview with Judith Butler / Tracy McMullen 21 Part I. Listening, Place, and Space 2. "How Am I to Listen to You?": Soundwalking, Intimacy, and Improvised Listening / Andra McCartney 37 3. Community Sound [e]Scapes: Improvising Bodies and Site/Space/Place in New Media Audio Art / Rebecca Caines 55 Part II. Technology and Embodiment 4. Improvising Composition: How to Listen to the Time Between / Pauline Oliveros 75 5. The Networked Body: Physicality, Embodiment, and Latency in Multisite Performance / Jason Robinson 91 6. Openness from Closure: The Puzzle of Interagency in Improvised Music and a Neocybernetic Solution / David Borgo 113 7. Mediating the Improvising Body: Art Tatum's Postmortem Performance in a Posthuman World / Andrew Raffo Dewar 131 Part III. Sensibility and Subjectivity 8. Banding Encounters: Embodied Practices in Improvisation / Introduction and Conclusion by Tomie Hahn; Essays by Louise Campbell, Lindsay Vogt, Simon Rose, George Blake, Catherine Lee, Sherrie Tucker, François Mouillot, Jovana Milovic, and Pete Williams 9. Learning to Go with the Flow: David Rokeby's Very Nervous System and the Improvising Body / Jesse Stewart 169 10. Stretched Boundaries: Improvising across Abilities / Introduction and Conclusion by Sherrie Tucker; Essays by Pauline Oliveros, Neil Rolnick, Christine Sun Kim, Clara Tomaz, David Whalen, Leif Miller, and Jaclyn Heyen 181 Part IV. Gender, Trauma, and Memory 11. The Erotics of Improvisation in Ann-Marie MacDonald's Fall on Your Knees / Gillian Sidall 201 12. Corregidora: Corporeal Archaeology, Embodied Memory, Improvisation / Nina Sun Eidsheim and Mandy-Suzanne Wong 13. Theorizing the Saxophonic Scream in Free Jazz Improvisation / Zachary Wallmark 233 14. Extemporaneous Genomics: Nicole Mitchell, Octavia Butler, and Xenogenesis / Kevin McNeilly and Julie Dawn Smith 245 Part V. Representation and Identity 15. Faster and Louder: Heterosexist Improvisation in North American Taiko / Deborah Wong 265 16. Improvisation and the Audibility of Difference: Safa, Canadian Multiculturalism, and the Politics of Recognition / Ellen Waterman 281 17. Performing the National Body Politic in Twenty-First-Century Argentina / Illa Carrillo Rodríguez and Berenice Corti 307 Discography 327 References 329 Contributors 351 Index 355
Acknowledgments xi Introduction: Improvising at the Nexus of Discursive and Material Bodies / Gillian Siddall and Ellen Waterman 1 1. Improvisation within a Scene of Constraint: An Interview with Judith Butler / Tracy McMullen 21 Part I. Listening, Place, and Space 2. "How Am I to Listen to You?": Soundwalking, Intimacy, and Improvised Listening / Andra McCartney 37 3. Community Sound [e]Scapes: Improvising Bodies and Site/Space/Place in New Media Audio Art / Rebecca Caines 55 Part II. Technology and Embodiment 4. Improvising Composition: How to Listen to the Time Between / Pauline Oliveros 75 5. The Networked Body: Physicality, Embodiment, and Latency in Multisite Performance / Jason Robinson 91 6. Openness from Closure: The Puzzle of Interagency in Improvised Music and a Neocybernetic Solution / David Borgo 113 7. Mediating the Improvising Body: Art Tatum's Postmortem Performance in a Posthuman World / Andrew Raffo Dewar 131 Part III. Sensibility and Subjectivity 8. Banding Encounters: Embodied Practices in Improvisation / Introduction and Conclusion by Tomie Hahn; Essays by Louise Campbell, Lindsay Vogt, Simon Rose, George Blake, Catherine Lee, Sherrie Tucker, François Mouillot, Jovana Milovic, and Pete Williams 9. Learning to Go with the Flow: David Rokeby's Very Nervous System and the Improvising Body / Jesse Stewart 169 10. Stretched Boundaries: Improvising across Abilities / Introduction and Conclusion by Sherrie Tucker; Essays by Pauline Oliveros, Neil Rolnick, Christine Sun Kim, Clara Tomaz, David Whalen, Leif Miller, and Jaclyn Heyen 181 Part IV. Gender, Trauma, and Memory 11. The Erotics of Improvisation in Ann-Marie MacDonald's Fall on Your Knees / Gillian Sidall 201 12. Corregidora: Corporeal Archaeology, Embodied Memory, Improvisation / Nina Sun Eidsheim and Mandy-Suzanne Wong 13. Theorizing the Saxophonic Scream in Free Jazz Improvisation / Zachary Wallmark 233 14. Extemporaneous Genomics: Nicole Mitchell, Octavia Butler, and Xenogenesis / Kevin McNeilly and Julie Dawn Smith 245 Part V. Representation and Identity 15. Faster and Louder: Heterosexist Improvisation in North American Taiko / Deborah Wong 265 16. Improvisation and the Audibility of Difference: Safa, Canadian Multiculturalism, and the Politics of Recognition / Ellen Waterman 281 17. Performing the National Body Politic in Twenty-First-Century Argentina / Illa Carrillo Rodríguez and Berenice Corti 307 Discography 327 References 329 Contributors 351 Index 355
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