Brent Salter draws on extensive original archival research to explain how copyright has been negotiated in the American theatre over the previous two centuries. The book will be of interest to scholars and students of law, history, theatre, and other disciplines of the humanities, as well as theatre practitioners.
Brent Salter draws on extensive original archival research to explain how copyright has been negotiated in the American theatre over the previous two centuries. The book will be of interest to scholars and students of law, history, theatre, and other disciplines of the humanities, as well as theatre practitioners.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Cambridge Intellectual Property and Information Law
Brent S. Salter is a Postdoctoral Fellow at the Stanford Center for Law and History, Stanford Law School. His research focuses on legal and business histories of creative communities, intellectual property history, histories of labor organization in creative industries, contemporary and historical issues in arts policy.
Inhaltsangabe
Introduction Part I. Mediating the American Theatre: 1. Copyright and the facilitation of theatrical production 2. The publisher's unpublished empire 3. The enduring 'piratical' pursuits of Alexander Byers 4. Brokering theatre 5. Negotiating playwright integrity Part II. The Organizational Response: 6. The playwright code 7. Carl E Ring and the American Playwright Trade Association 8. Trading on 'Its Own Inherent Strength'.
Introduction Part I. Mediating the American Theatre: 1. Copyright and the facilitation of theatrical production 2. The publisher's unpublished empire 3. The enduring 'piratical' pursuits of Alexander Byers 4. Brokering theatre 5. Negotiating playwright integrity Part II. The Organizational Response: 6. The playwright code 7. Carl E Ring and the American Playwright Trade Association 8. Trading on 'Its Own Inherent Strength'.
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