O. Calligaro

Negotiating Europe

EU Promotion of Europeanness Since the 1950s

• Broschiertes Buch

Produktbeschreibung

The book explores the promotion of Europeanness, which aims to arouse feelings of belonging to the European Union. It demonstrates that the promotion of Europeanness at the EU level does not constitute an overarching identity policy that imposes a homogenous interpretation of European identity. Rather, it is a process of negotiation in which various entrepreneurs of Europeanness within and outside the EU institutions invent and communicate representations of Europe. Both the negotiation and the multilayered representations of Europe that it produces are investigated through three case studies: the academia and the historians, European heritage, and the iconography of the euro.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Palgrave MacMillan Us / Palgrave Macmillan US
• 2013 edition
• Seitenzahl: 252
• Erscheinungstermin: 18. Dezember 2015
• Englisch
• Abmessung: 216mm x 140mm x 14mm
• Gewicht: 318g
• ISBN-13: 9781349475131
• ISBN-10: 1349475130
• Artikelnr.: 45080922

Autorenporträt

PhD (2007-2011) European University Institute (Italy), Department of History and Civilization, defended on 8 July 2011. - Thesis: Negotiating Europe: EU Promotion of Europeanness and Non-Institutional Actors since the 1950s - Supervisor: Prof. Kiran K. Patel - Examining board: Juan Díez Medrano (Universidad de Barcelona/Universidad Carlos III de Madrid), François Foret (Université Libre de Bruxelles), Rainer Bauböck (European University Institute), Kiran K. Patel (European University Institute/Maastricht University);

Inhaltsangabe

Tintroduction 1. Identity, Culture And Political Symbolism In The European
Integration Process: A Brief Account Of The Literature 2. Negotiating The
Representation Of Europe: The EU And The Non-Institutional Actors 3.
Chronology, Method And Sources 4. Structure Of The Book The European
Commission's Action In The Academic And Historical Fields I. The Jean
Monnet Action: 'Europe In The University Programs' 1. Background: Birth Of
The University Information Policy 1.1. The Universities: A Specific Target
Of European Information 1.2. The First Initiatives In The Academic Milieu
1.3. The Promotion Of European Studies: The French Case And The Role Of
Emile Noël 2. The Jean Monnet Action: An Initiative Of The University
Information Unit Of The DG X In Partnership With The Academic Actors 2.1.
European Chairs: An Old Concept Re-Launched In 1987 2.2. The Project Of
European Chairs: An Initiative Of The Commission... 2.3. ...Which Involved
At An Early Stage University Actors 3. Launching The Jean Monnet Action:
The Institutional Process 3.1. Presenting The Project To The European
Commission 3.2. The EP: A Reliable Ally 3.3. The Approval Of The Council
And The Battle Of The Budget 4. The Development Of The Jean Monnet Action
4.1. A Mediator Between The European Commission And The Universities: The
European University Council For The Jean Monnet Action 4.2. The Success Of
The Jean Monnet Action: A 'Punctual Action' Which Became A Large Scale
Program 4.3. The Reform Of The Commission And The End Of The 'University
Information' Concept II. The European Commission And Historians: The Failed
Utopia Of A Militant Approach To European History? 1. The Promotion Of A
New Field Of Research: European Integration History 1.1. A First Tentative
Measure: European Integration History At The European University Institute
1.2. A New Attempt: The Symposium Of Professors Of Contemporary History In
1982 2. The Liaison Committee Of Historians, An Ambiguous Creation Of The
European Commission 2.1. WhoSets The Agenda Of The Liaison Committee Of
Historians? 2.2. The Specific Case Of Oral History 2.3. The Project
'European Identity And Consciousness In The 20th Century' 3. A European
History Of Europe: The Duroselle/Delouche Project 3.1. Competing Projects
On History Of Europe 3.2. The Delouche/Duroselle Project: A Teleological
Vision Of European History 3.3. The European Commission's Support 3.4. The
Greek Protests And The Commission's Disengagement 4. The Reconfiguration Of
Relations Between The European Commission And Historians 4.1. The Failed
Project 'Europe's Image' 4.2. The Supplanting Of The Liaison Committee By
The Jean Monnet Network: The Example Of The Project Of Oral History 4.3.
The Discontent Of The Commission Concerning The Liaison Committee 4.4. The
History Of The European Commission: The Ultimate Achievement Of The Liaison
Committee? Conclusion Using And Negotiating European Cultural Heritage,
1973-2007 I. From The Introduction Of The Concept Of Cultural Heritage To
The Slow Institutionalization Of EU Action In The Field 1. How Cultural
Heritage Was Introduced In The European Agenda 1.1. International
Background And Council Of Europe Initiatives In Favor Of Heritage 1.2. The
European Community In The Middle 1970s: Search For A 'Human' Dimension Of
The Integration Process And First Reflection On A Cultural Action 1.3. A
Determining Actor Behind The Scenes: Robert Grégoire 2. The Concept Of
Heritage: An Instrument For The Promotion Of A Community Action In The
Cultural Sector 2.1. The EC In Search Of A More Human Identity 2.2. The
Long Process Of Institutionalization Of The Community Action In The Field
Of Heritage II. Which European Heritage And For What Purpose?
Instrumentalization Of The Concept Of European Heritage And Diversification
Of Its Interpretation 1. An Instrumentalization Of Culture? Definition And
Use Of The Concept Of European Heritage 1.1. A Conceptual Background: The
Problematic Definition Of A European Culture 1.2. What Is EuropeanCultural
Heritage? 1.3. The Europeanization Of Heritage 2. European Heritage As A
Political Resource: The Decentralized Use Of Heritage 2.1. An Extensive
Conception Of Cultural Heritage: The Example Of Industrial Heritage 2.2.
The Minority Cultures And Languages As An Integral Part Of European
Heritage 3. A Recent Major Evolution: The Recognition Of A Negative
Dimension Of The European Heritage 3.1. The Impulse Given By The EP 3.2.
The Inclusion Of A Negative Heritage In EU Programs: The First Steps
Towards A Reflection On The Dark Sides Of Europe's Past? Conclusion
Designing Europeanness: Euro Banknotes And Coins I. Historical And
Theoretical Context Of The Euro Iconography 1. The Principal Steps Of The
EMU And The Main Actors Responsible For The Selection Of The Iconography Of
The Euro 1.1. Origins And Principal Steps Of The EMU 1.2. The Main Actors
Of The Selection Process Of The Euro Iconography 2. An Introduction To The
Role Of Currency In Identity-Building Process 2.1. The EMU,European
Integration And The Significance Of The National Model 2.2. Money As Medium
Of Social Communication And Marker Of National Identity 2.3. The Issue Of
Trust 3. The Difficult Choice Of The Name Of The European Single Currency
3.1. The Omnipresence Of The Historical References 3.2. Historical
Neutrality Prevails II. Imagining The European Currency Before The Euro:
Private And Public Iconographic Experimentations As Representations Of
European Integration 1. European Coins Before The Euro: From Federalist
Dreams To Advertising Devices 1.1. The Federalist Tokens: Symbols Of A
Desired European Currency And Instruments Of Propaganda 1.2. The
Experimentations Of The National Mints: Blueprints For The Euro Coins 1.3.
The European Currency From A Local Perspective 2. The 'Graphic Ecu
Competition', A 'Citizen's Initiative' 2.1. The Central Bankers' Defiance
2.2. The Support Of The EU Institutions 2.3. The Competition 2.4. The
'Graphic Ecu Competition' In The Press: The Defeat Of A More Democratic
Europe? III. A Meaningful Abstraction: The Iconography Of The Euro
Banknotes 1. How The EMI Tried To Square The Circle: A European Cultural
Heritage With No Trace Of The Nation-State 1.1. The Bankers And The Euro:
Between Economic Efficiency, National Interests And European Identity 1.2.
The Design And Heritage 'Experts': How Is European Heritage Negotiated At
The European Level? 2. The Choice Of Robert Kalina's 'Abstract' Design 2.1.
The Competition 2.2. The Central Bankers' Final Decision 3. The
Interpretation Of Kalina's Iconography 3.1. The Euro Banknotes: Faceless
Money Or Aesthetic Revolution? 3.2. A Vision Of Europe's Time And Space IV.
A Double-Faced European Identity? The Iconography Of The Euro Coins 1.
Mapping The Boundaries Of Europe: The Common Face Of The Euro Coins 1.1.
The Member States' Choice: A Two-Sided Euro Coin 1.2. The Design Of The
Common European Side Of The Euro Coin 1.3. The Euro Coins' Political
Geography 2. The National Sides Of Euro Coins 2.1. Processes Of Selection
2.2. The Main Characteristics Of The National Iconographies 2.3. Symbolic
Dialogue Between The Different Levels Of The Euro Iconography 2.4. National
Identity And Sovereignty Conclusion Abbreviations Sources Bibliography