Through exciting and unconventional approaches, including critical/historical, printing/publishing and performance studies, this study mines Shakespeare's Romeo and Juliet to produce new insights into the early modern family and the individual, and society in the context of early modern capitalism. Inspired by recent work in cultural materialism and the material book, it also foregrounds the ways in which the contexts and the text itself become available to the reader today.
Through exciting and unconventional approaches, including critical/historical, printing/publishing and performance studies, this study mines Shakespeare's Romeo and Juliet to produce new insights into the early modern family and the individual, and society in the context of early modern capitalism. Inspired by recent work in cultural materialism and the material book, it also foregrounds the ways in which the contexts and the text itself become available to the reader today.
Lynette Hunter, Professor of Dramatic Art, University of California -Davis, USA. Peter Lichtenfels, Head of Department of Theatre and Dance, University of California-Davis, USA.
Inhaltsangabe
Contents: Introduction Part 1 Reading, Acting and Editing: The reader and the text The actor and the stage The editor and the book. Part 2 Transdisciplinary Work: The family: behaviour, convention, social agreement and their breakdown The humours: anarchy and doubleness Governance: the law, medicine and the recuperation of the social Coda: future readings References Index DVD contents.
Contents: Introduction Part 1 Reading, Acting and Editing: The reader and the text The actor and the stage The editor and the book. Part 2 Transdisciplinary Work: The family: behaviour, convention, social agreement and their breakdown The humours: anarchy and doubleness Governance: the law, medicine and the recuperation of the social Coda: future readings References Index DVD contents.
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