A permanent state of emergency: a neo-aesthetic view on contemporary politics and art.Misko Suvakovic describes his experience of the twentieth and twenty-first centuries as a "permanent state of emergency". The author explores this perspective in relation to the politics of time (dialectic historicizing) and the politics of space (geographic difference). By mapping visual arts, performance arts, architecture, music and new media with contemporary theory, philosophyand aesthetics, he challenges established conceptualizations in modern and contemporary art movements.
A permanent state of emergency: a neo-aesthetic view on contemporary politics and art.Misko Suvakovic describes his experience of the twentieth and twenty-first centuries as a "permanent state of emergency". The author explores this perspective in relation to the politics of time (dialectic historicizing) and the politics of space (geographic difference). By mapping visual arts, performance arts, architecture, music and new media with contemporary theory, philosophyand aesthetics, he challenges established conceptualizations in modern and contemporary art movements.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Misko Suvakovic (b. 1954) received his PhD from the Faculty of Fine Arts at the University of Arts in Belgrade. He has been professor ofapplied aesthetics since 1996 and is currently dean of the Faculty of Media and Communication, University Singidunum, Belgrade, as well as president of the Society for Aesthetics of Architecture and Visual Arts Serbia.
Inhaltsangabe
ContentsIntroductionPolitics of TheoryTheories of ModernismPolitics of Time and SpaceThe Return of the Politicalin Contemporary Aesthetics, Philosophy and ArtTroubles with the Economy, Geography and HistoryThe Social TurnGray Zones - Political Economy through Forms of LifeEleven Theses on Feuerbach, Friedman, Hayek and Speculative RealismSocialism / Cold War / PostsocialismThe Aesthetics of DisruptionPlatforms of Avant-Garde Production in Socialist Yugoslavia and SerbiaConceptual ArtThe Yugoslav CaseBeyond BordersJohn Cage, Cold War Politics and Artistic Experimentation in the Socialist Federal Republic of YugoslaviaMusic Through AestheticsThe Phenomenology of the Screen (and / or / as) EventMusical De-OntologisationAesthetics, Politics and MusicThe Context of Contemporary Critical TheoryMusic and PoliticsThe Reconstruction of Aesthetics and the Contemporary WorldCritical ArchitectureGeneral Theory of IdeologyArchitectureArchitecture as Cultural PracticeThe Market's Appropriation of the Social or the Ideology of the MultitudePerformance ArtTechnologies of Performance in Performance ArtConcepts and Phenomenological ResearchThe Avant-Garde: Performance and DanceIdeologies, Events, DiscoursesDiscourses and DanceAn Introduction to the Analysis of the Resistance of Philosophy and Theory towards Dance Theoretical PerformancePerformative KnowledgePerformance ArtAppropriations of MusicPostmedia: Music Beyond PaperPostmedia and Flexible ArtBio ArtThe Prehuman / The Human / The PosthumanSimultaneously Always, Now and EverywhereA Real FictionMultiple Political/Sexual BodiesBetween the Public and the IntimateAuto-Criticism of SubjectivisationPainting as Postmedia PoliticsExperimental Theory A Claustrophobic EventBare LifeA NarrativeAn Utterly Ordinary Evening - PETIT aAbout the EssaysLiteratureAbout the Author
ContentsIntroductionPolitics of TheoryTheories of ModernismPolitics of Time and SpaceThe Return of the Politicalin Contemporary Aesthetics, Philosophy and ArtTroubles with the Economy, Geography and HistoryThe Social TurnGray Zones - Political Economy through Forms of LifeEleven Theses on Feuerbach, Friedman, Hayek and Speculative RealismSocialism / Cold War / PostsocialismThe Aesthetics of DisruptionPlatforms of Avant-Garde Production in Socialist Yugoslavia and SerbiaConceptual ArtThe Yugoslav CaseBeyond BordersJohn Cage, Cold War Politics and Artistic Experimentation in the Socialist Federal Republic of YugoslaviaMusic Through AestheticsThe Phenomenology of the Screen (and / or / as) EventMusical De-OntologisationAesthetics, Politics and MusicThe Context of Contemporary Critical TheoryMusic and PoliticsThe Reconstruction of Aesthetics and the Contemporary WorldCritical ArchitectureGeneral Theory of IdeologyArchitectureArchitecture as Cultural PracticeThe Market's Appropriation of the Social or the Ideology of the MultitudePerformance ArtTechnologies of Performance in Performance ArtConcepts and Phenomenological ResearchThe Avant-Garde: Performance and DanceIdeologies, Events, DiscoursesDiscourses and DanceAn Introduction to the Analysis of the Resistance of Philosophy and Theory towards Dance Theoretical PerformancePerformative KnowledgePerformance ArtAppropriations of MusicPostmedia: Music Beyond PaperPostmedia and Flexible ArtBio ArtThe Prehuman / The Human / The PosthumanSimultaneously Always, Now and EverywhereA Real FictionMultiple Political/Sexual BodiesBetween the Public and the IntimateAuto-Criticism of SubjectivisationPainting as Postmedia PoliticsExperimental Theory A Claustrophobic EventBare LifeA NarrativeAn Utterly Ordinary Evening - PETIT aAbout the EssaysLiteratureAbout the Author
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
