A permanent state of emergency: a neo-aesthetic view on contemporary politics and art.Misko Suvakovic describes his experience of the twentieth and twenty-first centuries as a "permanent state of emergency". The author explores this perspective in relation to the politics of time (dialectic historicizing) and the politics of space (geographic difference). By mapping visual arts, performance arts, architecture, music and new media with contemporary theory, philosophyand aesthetics, he challenges established conceptualizations in modern and contemporary art movements.
A permanent state of emergency: a neo-aesthetic view on contemporary politics and art.Misko Suvakovic describes his experience of the twentieth and twenty-first centuries as a "permanent state of emergency". The author explores this perspective in relation to the politics of time (dialectic historicizing) and the politics of space (geographic difference). By mapping visual arts, performance arts, architecture, music and new media with contemporary theory, philosophyand aesthetics, he challenges established conceptualizations in modern and contemporary art movements.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Misko Suvakovic (b. 1954) received his PhD from the Faculty of Fine Arts at the University of Arts in Belgrade. He has been professor ofapplied aesthetics since 1996 and is currently dean of the Faculty of Media and Communication, University Singidunum, Belgrade, as well as president of the Society for Aesthetics of Architecture and Visual Arts Serbia.
Inhaltsangabe
ContentsIntroductionPolitics of TheoryTheories of ModernismPolitics of Time and SpaceThe Return of the Politicalin Contemporary Aesthetics, Philosophy and ArtTroubles with the Economy, Geography and HistoryThe Social TurnGray Zones - Political Economy through Forms of LifeEleven Theses on Feuerbach, Friedman, Hayek and Speculative RealismSocialism / Cold War / PostsocialismThe Aesthetics of DisruptionPlatforms of Avant-Garde Production in Socialist Yugoslavia and SerbiaConceptual ArtThe Yugoslav CaseBeyond BordersJohn Cage, Cold War Politics and Artistic Experimentation in the Socialist Federal Republic of YugoslaviaMusic Through AestheticsThe Phenomenology of the Screen (and / or / as) EventMusical De-OntologisationAesthetics, Politics and MusicThe Context of Contemporary Critical TheoryMusic and PoliticsThe Reconstruction of Aesthetics and the Contemporary WorldCritical ArchitectureGeneral Theory of IdeologyArchitectureArchitecture as Cultural PracticeThe Market's Appropriation of the Social or the Ideology of the MultitudePerformance ArtTechnologies of Performance in Performance ArtConcepts and Phenomenological ResearchThe Avant-Garde: Performance and DanceIdeologies, Events, DiscoursesDiscourses and DanceAn Introduction to the Analysis of the Resistance of Philosophy and Theory towards Dance Theoretical PerformancePerformative KnowledgePerformance ArtAppropriations of MusicPostmedia: Music Beyond PaperPostmedia and Flexible ArtBio ArtThe Prehuman / The Human / The PosthumanSimultaneously Always, Now and EverywhereA Real FictionMultiple Political/Sexual BodiesBetween the Public and the IntimateAuto-Criticism of SubjectivisationPainting as Postmedia PoliticsExperimental Theory A Claustrophobic EventBare LifeA NarrativeAn Utterly Ordinary Evening - PETIT aAbout the EssaysLiteratureAbout the Author
Introduction Politics of Theory 1. Theories of Modernism Politics of Time and Space 2. The Return of the Political in Contemporary Aesthetics, Philosophy and Art 3. Troubles with the Economy, Geography and History The Social Turn 4. Gray Zones – Political Economy through Forms of Life Eleven Theses on Feuerbach, Friedman, Hayek and Speculative Realism Socialism / Cold War / Postsocialism 5. The Aesthetics of Disruption Platforms of Avant-Garde Production in Socialist Yugoslavia and Serbia 6. Conceptual Art The Yugoslav Case 7. Beyond Borders John Cage, Cold War Politics and Artistic Experimentation in the Socialist Federal Republic of Yugoslavia Music Through Aesthetics 8. The Phenomenology of the Screen (and / or / as) Event Musical De-Ontologisation 9. Aesthetics, Politics and Music The Context of Contemporary Critical Theory 10. Music and Politics The Reconstruction of Aesthetics and the Contemporary World Critical Architecture 11. General Theory of Ideology Architecture 12. Architecture as Cultural Practice The Market's Appropriation of the Social or the Ideology of the Multitude Performance Art 13. Technologies of Performance in Performance Art Concepts and Phenomenological Research 14. The Avant-Garde: Performance and Dance Ideologies, Events, Discourses 15. Discourses and Dance An Introduction to the Analysis of the Resistance of Philosophy and Theory towards Dance 16. Theoretical Performance Performative Knowledge Performance Art 17. Appropriations of Music Postmedia: Music 18. Beyond Paper Postmedia and Flexible Art 19. Bio Art The Prehuman / The Human / The Posthuman 20. Simultaneously Always, Now and Everywhere A Real Fiction 21. Multiple Political/Sexual Bodies Between the Public and the Intimate 22. Auto-Criticism of Subjectivisation Painting as Postmedia Politics Experimental Theory 23. A Claustrophobic Event Bare Life 24. A Narrative An Utterly Ordinary Evening – PETIT a * About the Essays * Literature * About the Author
ContentsIntroductionPolitics of TheoryTheories of ModernismPolitics of Time and SpaceThe Return of the Politicalin Contemporary Aesthetics, Philosophy and ArtTroubles with the Economy, Geography and HistoryThe Social TurnGray Zones - Political Economy through Forms of LifeEleven Theses on Feuerbach, Friedman, Hayek and Speculative RealismSocialism / Cold War / PostsocialismThe Aesthetics of DisruptionPlatforms of Avant-Garde Production in Socialist Yugoslavia and SerbiaConceptual ArtThe Yugoslav CaseBeyond BordersJohn Cage, Cold War Politics and Artistic Experimentation in the Socialist Federal Republic of YugoslaviaMusic Through AestheticsThe Phenomenology of the Screen (and / or / as) EventMusical De-OntologisationAesthetics, Politics and MusicThe Context of Contemporary Critical TheoryMusic and PoliticsThe Reconstruction of Aesthetics and the Contemporary WorldCritical ArchitectureGeneral Theory of IdeologyArchitectureArchitecture as Cultural PracticeThe Market's Appropriation of the Social or the Ideology of the MultitudePerformance ArtTechnologies of Performance in Performance ArtConcepts and Phenomenological ResearchThe Avant-Garde: Performance and DanceIdeologies, Events, DiscoursesDiscourses and DanceAn Introduction to the Analysis of the Resistance of Philosophy and Theory towards Dance Theoretical PerformancePerformative KnowledgePerformance ArtAppropriations of MusicPostmedia: Music Beyond PaperPostmedia and Flexible ArtBio ArtThe Prehuman / The Human / The PosthumanSimultaneously Always, Now and EverywhereA Real FictionMultiple Political/Sexual BodiesBetween the Public and the IntimateAuto-Criticism of SubjectivisationPainting as Postmedia PoliticsExperimental Theory A Claustrophobic EventBare LifeA NarrativeAn Utterly Ordinary Evening - PETIT aAbout the EssaysLiteratureAbout the Author
Introduction Politics of Theory 1. Theories of Modernism Politics of Time and Space 2. The Return of the Political in Contemporary Aesthetics, Philosophy and Art 3. Troubles with the Economy, Geography and History The Social Turn 4. Gray Zones – Political Economy through Forms of Life Eleven Theses on Feuerbach, Friedman, Hayek and Speculative Realism Socialism / Cold War / Postsocialism 5. The Aesthetics of Disruption Platforms of Avant-Garde Production in Socialist Yugoslavia and Serbia 6. Conceptual Art The Yugoslav Case 7. Beyond Borders John Cage, Cold War Politics and Artistic Experimentation in the Socialist Federal Republic of Yugoslavia Music Through Aesthetics 8. The Phenomenology of the Screen (and / or / as) Event Musical De-Ontologisation 9. Aesthetics, Politics and Music The Context of Contemporary Critical Theory 10. Music and Politics The Reconstruction of Aesthetics and the Contemporary World Critical Architecture 11. General Theory of Ideology Architecture 12. Architecture as Cultural Practice The Market's Appropriation of the Social or the Ideology of the Multitude Performance Art 13. Technologies of Performance in Performance Art Concepts and Phenomenological Research 14. The Avant-Garde: Performance and Dance Ideologies, Events, Discourses 15. Discourses and Dance An Introduction to the Analysis of the Resistance of Philosophy and Theory towards Dance 16. Theoretical Performance Performative Knowledge Performance Art 17. Appropriations of Music Postmedia: Music 18. Beyond Paper Postmedia and Flexible Art 19. Bio Art The Prehuman / The Human / The Posthuman 20. Simultaneously Always, Now and Everywhere A Real Fiction 21. Multiple Political/Sexual Bodies Between the Public and the Intimate 22. Auto-Criticism of Subjectivisation Painting as Postmedia Politics Experimental Theory 23. A Claustrophobic Event Bare Life 24. A Narrative An Utterly Ordinary Evening – PETIT a * About the Essays * Literature * About the Author
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