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For decades, viewers have been fascinated by Bollywood and its conventions which do not quite reflect on the real Mumbai society. Due to the increased influence of globalization and the changing Mumbai society, lately, several films extend from Bombay cinema which attempt to subvert the conventions and clichés of Bollywood. I regard these films as Neo-Indian Cinema and discuss them in parallel with Bollywood. Neo-Indian Cinema has its own unique attributes which capture the elements of reality prevailing in Bombay society. This book explores the necessity of the emergence of Neo-Indian Cinema,…mehr

Produktbeschreibung
For decades, viewers have been fascinated by Bollywood and its conventions which do not quite reflect on the real Mumbai society. Due to the increased influence of globalization and the changing Mumbai society, lately, several films extend from Bombay cinema which attempt to subvert the conventions and clichés of Bollywood. I regard these films as Neo-Indian Cinema and discuss them in parallel with Bollywood. Neo-Indian Cinema has its own unique attributes which capture the elements of reality prevailing in Bombay society. This book explores the necessity of the emergence of Neo-Indian Cinema, the different styles adopted by the filmmakers of these films, some of the current major challenges that Neo-Indian Cinema faces and what it can provide Bombay cinema and eventually the Indian cinema in the long run.
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Autorenporträt
Rinita Nadavan is an English graduate from Nanyang Technological University. Upon the completion of modules from various avenues of English Literature and after heavy contemplation, she decided to write her Honours research paper on Neo-Indian Cinema; a term that she gave to an extended but a fresh dimension of Bombay Cinema.