Andere Kunden interessierten sich auch für
![Fiction and the Meaning of Place]( "Fiction and the Meaning of Place")
Fiction and the Meaning of Place51,99 €![London, a poetics of place, process and possibility]( "London, a poetics of place, process and possibility")
London, a poetics of place, process and possibility23,99 €![The maquis: the place of the forest in the nationalist movement]( "The maquis: the place of the forest in the nationalist movement")
The maquis: the place of the forest in the nationalist movement29,99 €![The Hiding Place (Biography)]( "The Hiding Place (Biography)")
The Hiding Place (Biography)19,99 €![Cityscapes and Perceptual Dialectology]( "Cityscapes and Perceptual Dialectology")
Cityscapes and Perceptual Dialectology92,99 €![Sri Lankan Place Name Etymology]( "Sri Lankan Place Name Etymology")
Sri Lankan Place Name Etymology25,99 €![Syntax of the epithet qualifying adjective: anteposed or postposed?]( "Syntax of the epithet qualifying adjective: anteposed or postposed?")
Syntax of the epithet qualifying adjective: anteposed or postposed?36,99 €
This book draws together new combinations of ideas
and takes new investigative directions in dealing
with the concept of an experimental historical
fiction based on the notion of collaged texts,
imagery and meaning. It examines traditional
historical fiction for chinks in the hegemonic
armour and drives through these towards strategies
for recovering lost female voices. Unlike middle
class women who wrote diaries and letters, illiterate
women did not leave us stories of their colonial
Australia. Instead their experiences were recorded in
newspaper and archival documents reflecting
patriarchal and class ideologies, which represented
them as the ''other''. This book in two parts, shows
that by working within neohistorical fiction a
richer, non-linear view of female experience can be
found. Part two, Hannah s Place, plays with the idea
of historical facts and fiction. It gives textual
equality to the two blurring the borders between them
and questioning the reliability of past textual facts
as accurate records of lower class women''s
experience. This compelling multi-layered narrative
suggests neohistorical fiction as a form for bringing
textual agency to silenced women.
and takes new investigative directions in dealing
with the concept of an experimental historical
fiction based on the notion of collaged texts,
imagery and meaning. It examines traditional
historical fiction for chinks in the hegemonic
armour and drives through these towards strategies
for recovering lost female voices. Unlike middle
class women who wrote diaries and letters, illiterate
women did not leave us stories of their colonial
Australia. Instead their experiences were recorded in
newspaper and archival documents reflecting
patriarchal and class ideologies, which represented
them as the ''other''. This book in two parts, shows
that by working within neohistorical fiction a
richer, non-linear view of female experience can be
found. Part two, Hannah s Place, plays with the idea
of historical facts and fiction. It gives textual
equality to the two blurring the borders between them
and questioning the reliability of past textual facts
as accurate records of lower class women''s
experience. This compelling multi-layered narrative
suggests neohistorical fiction as a form for bringing
textual agency to silenced women.