In this feminist cultural study of reenactments, Katie King traces the development of a new kind of transmedia storytelling during the 1990s, as a response to the increasing difficulty of reaching large audiences at a time where entertainment media and knowledge production were both being restructured.
In this feminist cultural study of reenactments, Katie King traces the development of a new kind of transmedia storytelling during the 1990s, as a response to the increasing difficulty of reaching large audiences at a time where entertainment media and knowledge production were both being restructured.
Foreword / Donna Haraway ix Preface. What Are Reenactments in This Book? xv Acknowledgments xix Introduction. A Thick Description amid Authorships, Audiences, and Agencies in the Nineties 1 1. Nationalities, Sexualities, and Global TV: Highlander, Xena, and Meanings of European Union 21 2. Science in American Life: Among the Culture Warriors 59 3. TV and the Web Come Together 129 4. Scholars and Intellectual Entrepreneurs 203 Conclusion. Toward a Feminist Transdisciplinary Posthumanities 273 Notes 301 Bibliography 335 Index 351
Foreword / Donna Haraway ix Preface. What Are Reenactments in This Book? xv Acknowledgments xix Introduction. A Thick Description amid Authorships, Audiences, and Agencies in the Nineties 1 1. Nationalities, Sexualities, and Global TV: Highlander, Xena, and Meanings of European Union 21 2. Science in American Life: Among the Culture Warriors 59 3. TV and the Web Come Together 129 4. Scholars and Intellectual Entrepreneurs 203 Conclusion. Toward a Feminist Transdisciplinary Posthumanities 273 Notes 301 Bibliography 335 Index 351
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