In this feminist cultural study of reenactments, Katie King traces the development of a new kind of transmedia storytelling during the 1990s, as a response to the increasing difficulty of reaching large audiences at a time where entertainment media and knowledge production were both being restructured.
In this feminist cultural study of reenactments, Katie King traces the development of a new kind of transmedia storytelling during the 1990s, as a response to the increasing difficulty of reaching large audiences at a time where entertainment media and knowledge production were both being restructured.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Katie King is Associate Professor of Women’s Studies at the University of Maryland, College Park. She is the author of Theory in Its Feminist Travels: Conversations in U.S. Women’s Movements.
Inhaltsangabe
Foreword / Donna Haraway ix Preface. What Are Reenactments in This Book? xv Acknowledgments xix Introduction. A Thick Description amid Authorships, Audiences, and Agencies in the Nineties 1 1. Nationalities, Sexualities, and Global TV: Highlander, Xena, and Meanings of European Union 21 2. Science in American Life: Among the Culture Warriors 59 3. TV and the Web Come Together 129 4. Scholars and Intellectual Entrepreneurs 203 Conclusion. Toward a Feminist Transdisciplinary Posthumanities 273 Notes 301 Bibliography 335 Index 351
Foreword / Donna Haraway ix Preface. What Are Reenactments in This Book? xv Acknowledgments xix Introduction. A Thick Description amid Authorships, Audiences, and Agencies in the Nineties 1 1. Nationalities, Sexualities, and Global TV: Highlander, Xena, and Meanings of European Union 21 2. Science in American Life: Among the Culture Warriors 59 3. TV and the Web Come Together 129 4. Scholars and Intellectual Entrepreneurs 203 Conclusion. Toward a Feminist Transdisciplinary Posthumanities 273 Notes 301 Bibliography 335 Index 351
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