Through its comprehensive history of post-war queer writing in Boston and San Francisco from the 1940s through the 21st century, Never By Itself Alone provides a new view of queer history. Grundy intertwines analysis of lesbian, gay, and queer literature of the time, centering voices which have not yet before been explored in existing criticism. The book elevates the underrepresented work of writers of color and those with gender-nonconforming identities, underscores the link between activism and literature, and insists upon the vital importance of radical accounts of race, class and gender in any queer studies worthy of the name.…mehr
Through its comprehensive history of post-war queer writing in Boston and San Francisco from the 1940s through the 21st century, Never By Itself Alone provides a new view of queer history. Grundy intertwines analysis of lesbian, gay, and queer literature of the time, centering voices which have not yet before been explored in existing criticism. The book elevates the underrepresented work of writers of color and those with gender-nonconforming identities, underscores the link between activism and literature, and insists upon the vital importance of radical accounts of race, class and gender in any queer studies worthy of the name.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Grundy is the author of A Black Arts Poetry Machine: Amiri Baraka and the Umbra Poets (Bloomsbury, 2019), and co-editor with Lauri Scheyer of Selected Poems of Calvin C. Hernton (Wesleyan University Press, 2023). Formerly a Teaching Associate at the University of Cambridge and a British Academy Fellow at the University of Warwick, he is currently an Alexander von Humboldt Fellow at Freie Universität Berlin.
Inhaltsangabe
* Abbreviations * Acknowledgments * Introduction * Part One. Beginnings (1943-1969) * Chapter 1. 'Homosexuals in Society': Poetry and Gay Community in the 1940s * Chapter 2. Identity and Community in The Work of Jack Spicer * Chapter 3. The Occult School of Boston (1): "Levels above and below" * Chapter 4. The Occult School of Boston (2): "Queer Shoulders at the Wheel" * Part Two. Gay Liberation in Boston (1969-1983) * Chapter 5. "A Gay Presence": John Wieners, Charley Shively, and Fag Rag * Chapter 6. "My Real Name": Racial Framings, Queer Imaginings * Chapter 7. "We cannot live without our lives": From the Combahee River Collective to This Bridge Called My Back * Part Three. Bay Area Communities: Lesbian Feminism to the AIDS era (1969-Present) * Chapter 8. "She Who": Judy Grahn and Bay Area Gay Women's Liberation * Chapter 9. "The first everything": Pat Parker * Chapter 10. "blasting the true story into breath": Writing, Work and Socialist Feminism * Chapter 11. New Narrative, New Communities from Left Write to AIDS * Coda. "When politics show" * Works Cited * Index
* Abbreviations * Acknowledgments * Introduction * Part One. Beginnings (1943-1969) * Chapter 1. 'Homosexuals in Society': Poetry and Gay Community in the 1940s * Chapter 2. Identity and Community in The Work of Jack Spicer * Chapter 3. The Occult School of Boston (1): "Levels above and below" * Chapter 4. The Occult School of Boston (2): "Queer Shoulders at the Wheel" * Part Two. Gay Liberation in Boston (1969-1983) * Chapter 5. "A Gay Presence": John Wieners, Charley Shively, and Fag Rag * Chapter 6. "My Real Name": Racial Framings, Queer Imaginings * Chapter 7. "We cannot live without our lives": From the Combahee River Collective to This Bridge Called My Back * Part Three. Bay Area Communities: Lesbian Feminism to the AIDS era (1969-Present) * Chapter 8. "She Who": Judy Grahn and Bay Area Gay Women's Liberation * Chapter 9. "The first everything": Pat Parker * Chapter 10. "blasting the true story into breath": Writing, Work and Socialist Feminism * Chapter 11. New Narrative, New Communities from Left Write to AIDS * Coda. "When politics show" * Works Cited * Index
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