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Publication tying in with a major production of )Neverland( at the Royal Court Theatre in February.
"Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Alistair Macaulay, Financial Times) Nagy's latest play is a blend of chilling humour and surrealism, interconnected issues of sex, truth, sincerity, psychology and mystery. "Whereas much contemporary playwriting is egregious, anorexic, short-winded and uncluttered, Nagy writes sinuously and elegantly, working towards a theatrical coalescence of plot, dialogue and swiftly changing scenic representation that is as exciting as it is unusual" (Michael Coveney)
"Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Alistair Macaulay, Financial Times) Nagy's latest play is a blend of chilling humour and surrealism, interconnected issues of sex, truth, sincerity, psychology and mystery. "Whereas much contemporary playwriting is egregious, anorexic, short-winded and uncluttered, Nagy writes sinuously and elegantly, working towards a theatrical coalescence of plot, dialogue and swiftly changing scenic representation that is as exciting as it is unusual" (Michael Coveney)