New Approaches to Cinematic Space

Herausgeber: Rosário, Filipa; Villarmea Álvarez, Iván

• Gebundenes Buch

Produktbeschreibung

This book interprets the formal strategies used by filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 254
• Erscheinungstermin: 14. Dezember 2018
• Englisch
• Abmessung: 229mm x 152mm x 16mm
• Gewicht: 531g
• ISBN-13: 9781138604445
• ISBN-10: 1138604445
• Artikelnr.: 54908151

Autorenporträt

Filipa Rosário (Ph.D. Artistic Studies - Cinema Studies, University of Lisbon) is a researcher in the Centre for Comparative Studies (UL), where she coordinates the project 'Cinema and the World - Studies on Space and Cinema'. She is the author of O Trabalho do Actor no Cinema de John Cassavetes (2017). Iván Villarmea Álvarez (Ph.D. History of Art, Universidad de Zaragoza) works as a researcher at Universidade de Santiago de Compostela. He has published the book Documenting Cityscapes. Urban Change in Contemporary Non-Fiction Film (2015) and co-edited the volume Jugar con la Memoria. El Cine Portugués en el Siglo XXI (2014).

Inhaltsangabe

Introduction: Screen is the Place
Part 1: Urban Spaces
Memoryscapes: Mapping Urban Space through Amateur Film Archives
Social Space, Architecture and the Crisis: Neo-noir Aesthetics in Contemporary Greek Cinema
Part 2: Architectural Spaces
The Architectural Space Generated by Staircases in Alfred Hitchcock's Films
Stranger than Paradise - Realities of Cinema, Architectural Imageries, circa 1956
Part 3: Genre Spaces
Empire of Catalandia. Science Fiction as the Cinematic Space of the Anthropocene
The Urban and the Domestic: Spaces of American Film Noir
Film Noir and the Folding of America: A Reading of Out of the Past (1947) and Impact (1949)
Part 4: Spectral Spaces
Blinking Spaces in Contemporary Psychogeographical Documentaries
On the 'Ghosts' of Piramida: Ruins, Memory and Music
Remembering a Fabricated City: Visiting Terezín in Daniel Blaufuks's As if...
Part 5: Heterotopic Spaces
On Location: Kiarostami's Landscapes and Cinematic Value
Mapping Heterotopias in Colombian Documentary Film
Cinematographic Missions to the Portuguese Territory (1917-1918)
Part 6: Phenomenology of Space
The Viewer's Embodiment into Cinematic Space: Notes on a 'Space-Image' Cinema
Towards the Spatial Affectivities of Colour: The Blue Bedroom in Yasujir¿ Ozu's An Autumn Afternoon
Cinema, Allospaces and the Unfilmable
Framing Doors, Opening Up Spaces: Cristi Puiu and His Cruel Phenomenology of Space