New Approaches to Cinematic Space
Herausgeber: Rosário, Filipa; Villarmea Álvarez, Iván
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New Approaches to Cinematic Space
Herausgeber: Rosário, Filipa; Villarmea Álvarez, Iván
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This book interprets the formal strategies used by filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces.
This book interprets the formal strategies used by filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 254
- Erscheinungstermin: 14. Dezember 2018
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 531g
- ISBN-13: 9781138604445
- ISBN-10: 1138604445
- Artikelnr.: 54908151
- Verlag: Taylor & Francis
- Seitenzahl: 254
- Erscheinungstermin: 14. Dezember 2018
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 531g
- ISBN-13: 9781138604445
- ISBN-10: 1138604445
- Artikelnr.: 54908151
Filipa Rosário (Ph.D. Artistic Studies - Cinema Studies, University of Lisbon) is a researcher in the Centre for Comparative Studies (UL), where she coordinates the project 'Cinema and the World - Studies on Space and Cinema'. She is the author of O Trabalho do Actor no Cinema de John Cassavetes (2017). Iván Villarmea Álvarez (Ph.D. History of Art, Universidad de Zaragoza) works as a researcher at Universidade de Santiago de Compostela. He has published the book Documenting Cityscapes. Urban Change in Contemporary Non-Fiction Film (2015) and co-edited the volume Jugar con la Memoria. El Cine Portugués en el Siglo XXI (2014).
Introduction: Screen is the Place
Part 1: Urban Spaces
Memoryscapes: Mapping Urban Space through Amateur Film Archives
Social Space, Architecture and the Crisis: Neo-noir Aesthetics in Contemporary Greek Cinema
Part 2: Architectural Spaces
The Architectural Space Generated by Staircases in Alfred Hitchcock's Films
Stranger than Paradise - Realities of Cinema, Architectural Imageries, circa 1956
Part 3: Genre Spaces
Empire of Catalandia. Science Fiction as the Cinematic Space of the Anthropocene
The Urban and the Domestic: Spaces of American Film Noir
Film Noir and the Folding of America: A Reading of Out of the Past (1947) and Impact (1949)
Part 4: Spectral Spaces
Blinking Spaces in Contemporary Psychogeographical Documentaries
On the 'Ghosts' of Piramida: Ruins, Memory and Music
Remembering a Fabricated City: Visiting Terezín in Daniel Blaufuks's As if...
Part 5: Heterotopic Spaces
On Location: Kiarostami's Landscapes and Cinematic Value
Mapping Heterotopias in Colombian Documentary Film
Cinematographic Missions to the Portuguese Territory (1917-1918)
Part 6: Phenomenology of Space
The Viewer's Embodiment into Cinematic Space: Notes on a 'Space-Image' Cinema
Towards the Spatial Affectivities of Colour: The Blue Bedroom in Yasujir¿ Ozu's An Autumn Afternoon
Cinema, Allospaces and the Unfilmable
Framing Doors, Opening Up Spaces: Cristi Puiu and His Cruel Phenomenology of Space
Part 1: Urban Spaces
Memoryscapes: Mapping Urban Space through Amateur Film Archives
Social Space, Architecture and the Crisis: Neo-noir Aesthetics in Contemporary Greek Cinema
Part 2: Architectural Spaces
The Architectural Space Generated by Staircases in Alfred Hitchcock's Films
Stranger than Paradise - Realities of Cinema, Architectural Imageries, circa 1956
Part 3: Genre Spaces
Empire of Catalandia. Science Fiction as the Cinematic Space of the Anthropocene
The Urban and the Domestic: Spaces of American Film Noir
Film Noir and the Folding of America: A Reading of Out of the Past (1947) and Impact (1949)
Part 4: Spectral Spaces
Blinking Spaces in Contemporary Psychogeographical Documentaries
On the 'Ghosts' of Piramida: Ruins, Memory and Music
Remembering a Fabricated City: Visiting Terezín in Daniel Blaufuks's As if...
Part 5: Heterotopic Spaces
On Location: Kiarostami's Landscapes and Cinematic Value
Mapping Heterotopias in Colombian Documentary Film
Cinematographic Missions to the Portuguese Territory (1917-1918)
Part 6: Phenomenology of Space
The Viewer's Embodiment into Cinematic Space: Notes on a 'Space-Image' Cinema
Towards the Spatial Affectivities of Colour: The Blue Bedroom in Yasujir¿ Ozu's An Autumn Afternoon
Cinema, Allospaces and the Unfilmable
Framing Doors, Opening Up Spaces: Cristi Puiu and His Cruel Phenomenology of Space
Introduction: Screen is the Place
Part 1: Urban Spaces
Memoryscapes: Mapping Urban Space through Amateur Film Archives
Social Space, Architecture and the Crisis: Neo-noir Aesthetics in Contemporary Greek Cinema
Part 2: Architectural Spaces
The Architectural Space Generated by Staircases in Alfred Hitchcock's Films
Stranger than Paradise - Realities of Cinema, Architectural Imageries, circa 1956
Part 3: Genre Spaces
Empire of Catalandia. Science Fiction as the Cinematic Space of the Anthropocene
The Urban and the Domestic: Spaces of American Film Noir
Film Noir and the Folding of America: A Reading of Out of the Past (1947) and Impact (1949)
Part 4: Spectral Spaces
Blinking Spaces in Contemporary Psychogeographical Documentaries
On the 'Ghosts' of Piramida: Ruins, Memory and Music
Remembering a Fabricated City: Visiting Terezín in Daniel Blaufuks's As if...
Part 5: Heterotopic Spaces
On Location: Kiarostami's Landscapes and Cinematic Value
Mapping Heterotopias in Colombian Documentary Film
Cinematographic Missions to the Portuguese Territory (1917-1918)
Part 6: Phenomenology of Space
The Viewer's Embodiment into Cinematic Space: Notes on a 'Space-Image' Cinema
Towards the Spatial Affectivities of Colour: The Blue Bedroom in Yasujir¿ Ozu's An Autumn Afternoon
Cinema, Allospaces and the Unfilmable
Framing Doors, Opening Up Spaces: Cristi Puiu and His Cruel Phenomenology of Space
Part 1: Urban Spaces
Memoryscapes: Mapping Urban Space through Amateur Film Archives
Social Space, Architecture and the Crisis: Neo-noir Aesthetics in Contemporary Greek Cinema
Part 2: Architectural Spaces
The Architectural Space Generated by Staircases in Alfred Hitchcock's Films
Stranger than Paradise - Realities of Cinema, Architectural Imageries, circa 1956
Part 3: Genre Spaces
Empire of Catalandia. Science Fiction as the Cinematic Space of the Anthropocene
The Urban and the Domestic: Spaces of American Film Noir
Film Noir and the Folding of America: A Reading of Out of the Past (1947) and Impact (1949)
Part 4: Spectral Spaces
Blinking Spaces in Contemporary Psychogeographical Documentaries
On the 'Ghosts' of Piramida: Ruins, Memory and Music
Remembering a Fabricated City: Visiting Terezín in Daniel Blaufuks's As if...
Part 5: Heterotopic Spaces
On Location: Kiarostami's Landscapes and Cinematic Value
Mapping Heterotopias in Colombian Documentary Film
Cinematographic Missions to the Portuguese Territory (1917-1918)
Part 6: Phenomenology of Space
The Viewer's Embodiment into Cinematic Space: Notes on a 'Space-Image' Cinema
Towards the Spatial Affectivities of Colour: The Blue Bedroom in Yasujir¿ Ozu's An Autumn Afternoon
Cinema, Allospaces and the Unfilmable
Framing Doors, Opening Up Spaces: Cristi Puiu and His Cruel Phenomenology of Space