This book interprets the formal strategies used by filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Filipa Rosário (Ph.D. Artistic Studies - Cinema Studies, University of Lisbon) is a researcher in the Centre for Comparative Studies (UL), where she coordinates the project 'Cinema and the World - Studies on Space and Cinema'. She is the author of O Trabalho do Actor no Cinema de John Cassavetes (2017). Iván Villarmea Álvarez (Ph.D. History of Art, Universidad de Zaragoza) works as a researcher at Universidade de Santiago de Compostela. He has published the book Documenting Cityscapes. Urban Change in Contemporary Non-Fiction Film (2015) and co-edited the volume Jugar con la Memoria. El Cine Portugués en el Siglo XXI (2014).
Inhaltsangabe
Introduction: Screen is the Place Part 1: Urban Spaces Memoryscapes: Mapping Urban Space through Amateur Film Archives Social Space, Architecture and the Crisis: Neo-noir Aesthetics in Contemporary Greek Cinema Part 2: Architectural Spaces The Architectural Space Generated by Staircases in Alfred Hitchcock's Films Stranger than Paradise - Realities of Cinema, Architectural Imageries, circa 1956 Part 3: Genre Spaces Empire of Catalandia. Science Fiction as the Cinematic Space of the Anthropocene The Urban and the Domestic: Spaces of American Film Noir Film Noir and the Folding of America: A Reading of Out of the Past (1947) and Impact (1949) Part 4: Spectral Spaces Blinking Spaces in Contemporary Psychogeographical Documentaries On the 'Ghosts' of Piramida: Ruins, Memory and Music Remembering a Fabricated City: Visiting Terezín in Daniel Blaufuks's As if... Part 5: Heterotopic Spaces On Location: Kiarostami's Landscapes and Cinematic Value Mapping Heterotopias in Colombian Documentary Film Cinematographic Missions to the Portuguese Territory (1917-1918) Part 6: Phenomenology of Space The Viewer's Embodiment into Cinematic Space: Notes on a 'Space-Image' Cinema Towards the Spatial Affectivities of Colour: The Blue Bedroom in Yasujir¿ Ozu's An Autumn Afternoon Cinema, Allospaces and the Unfilmable Framing Doors, Opening Up Spaces: Cristi Puiu and His Cruel Phenomenology of Space
Introduction: Screen is the Place Part 1: Urban Spaces Memoryscapes: Mapping Urban Space through Amateur Film Archives Social Space, Architecture and the Crisis: Neo-noir Aesthetics in Contemporary Greek Cinema Part 2: Architectural Spaces The Architectural Space Generated by Staircases in Alfred Hitchcock's Films Stranger than Paradise - Realities of Cinema, Architectural Imageries, circa 1956 Part 3: Genre Spaces Empire of Catalandia. Science Fiction as the Cinematic Space of the Anthropocene The Urban and the Domestic: Spaces of American Film Noir Film Noir and the Folding of America: A Reading of Out of the Past (1947) and Impact (1949) Part 4: Spectral Spaces Blinking Spaces in Contemporary Psychogeographical Documentaries On the 'Ghosts' of Piramida: Ruins, Memory and Music Remembering a Fabricated City: Visiting Terezín in Daniel Blaufuks's As if... Part 5: Heterotopic Spaces On Location: Kiarostami's Landscapes and Cinematic Value Mapping Heterotopias in Colombian Documentary Film Cinematographic Missions to the Portuguese Territory (1917-1918) Part 6: Phenomenology of Space The Viewer's Embodiment into Cinematic Space: Notes on a 'Space-Image' Cinema Towards the Spatial Affectivities of Colour: The Blue Bedroom in Yasujir¿ Ozu's An Autumn Afternoon Cinema, Allospaces and the Unfilmable Framing Doors, Opening Up Spaces: Cristi Puiu and His Cruel Phenomenology of Space
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