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In combining close comparative analyses with a review of the changing models of production, editing, actorship and location, Andermann uncovers the ways in which Argentine films have managed to construct a complex, multilayered account of their own present, as shot through - or 'perforated' - by the still unresolved legacies of the past.

Produktbeschreibung
In combining close comparative analyses with a review of the changing models of production, editing, actorship and location, Andermann uncovers the ways in which Argentine films have managed to construct a complex, multilayered account of their own present, as shot through - or 'perforated' - by the still unresolved legacies of the past.
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Autorenporträt
Jens Andermann is Professor of Latin American and Luso-Brazilian Studies at Birkbeck College, University of London and an editor of the Journal of Latin American Cultural Studies. He has published widely on Latin American visual, literary and material culture, including the books The Optic of the State: Visuality and Power in Argentina and Brazil (2007) and Mapas de poder: Una arqueologia literaria del espacio argentino (2000).