Examines the relationship between distinct periods of creative ferment in New Brunswick and the socio-cultural conditions in which those periods emerged. Contributes to current critical discussions about what constitutes "the creative" in Canadian society, especially in bilingual, rural, non-central spaces like New Brunswick.
Examines the relationship between distinct periods of creative ferment in New Brunswick and the socio-cultural conditions in which those periods emerged. Contributes to current critical discussions about what constitutes "the creative" in Canadian society, especially in bilingual, rural, non-central spaces like New Brunswick.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tony Tremblay is a professor and Canada Research Chair in New Brunswick studies at St. Thomas University. He is founding editor of the Journal of New Brunswick Studies and the New Brunswick Literary Encyclopedia. His recent work includes Fred Cogswell: The Many-Dimensioned Self (2012), Last Shift: The Story of a Mill Town (2011), and David Adams Richards of the Miramichi (2010).
Inhaltsangabe
Foreword Christl Verduyn Introduction Tony Tremblay 1. Loyalist Literature in New Brunswick, 1783-1843 Gwendolyn Davies 2. Literature of the First Acadian Renaissance, 1864-1955 Chantal Richard 3. The Fredericton Confederation Awakening, 1843-1900 Thomas Hodd 4. Mid-Century Emergent Modernism, 1935-1955 Tony Tremblay 5. Modernity and the Challenge of Urbanity in Acadian Literature, 1958-1999 Marie-Linda Lord Afterword David Creelman
Foreword Christl Verduyn Introduction Tony Tremblay 1. Loyalist Literature in New Brunswick, 1783-1843 Gwendolyn Davies 2. Literature of the First Acadian Renaissance, 1864-1955 Chantal Richard 3. The Fredericton Confederation Awakening, 1843-1900 Thomas Hodd 4. Mid-Century Emergent Modernism, 1935-1955 Tony Tremblay 5. Modernity and the Challenge of Urbanity in Acadian Literature, 1958-1999 Marie-Linda Lord Afterword David Creelman
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