Kuei-Fen Chiu, Yingjin Zhang

New Chinese-Language Documentaries

Ethics, Subject and Place

• Gebundenes Buch

Produktbeschreibung

Documentary filmmaking is one of the most vibrant areas of media activity in the Chinese world, with many independent filmmakers producing documentaries that deal with a range of sensitive socio-political problems, bringing to their work a strongly ethical approach. This book identifies notable similarities and crucial differences between new Chinese-language documentaries in mainland China and Taiwan. It outlines how documentary filmmaking has developed, contrasts independent documentaries with dominant official state productions, considers how independent documentary filmmakers go about their work, including the work of exhibiting their films and connecting with audiences, and discusses the content of their documentaries, showing how the filmmakers portray a wide range of subject matter regarding places and people, and how they deal with particular issues including the underprivileged, migrants and women in an ethical way. Throughout the book demonstrates how successful Chinese-language independent documentary filmmaking is, with many appearances at international film festivals and a growing number of award-winning titles.

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 268
• Erscheinungstermin: 10. November 2014
• Englisch
• Abmessung: 240mm x 161mm x 19mm
• Gewicht: 572g
• ISBN-13: 9780415722063
• ISBN-10: 0415722063
• Artikelnr.: 40543588

Autorenporträt

Kuei-fen Chiu is Distinguished Professor of Taiwan Literature and Transnational Cultural Studies at National Chung Hsing University, Taiwan Yingjin Zhang is Professor of Comparative Literature and Film Studies at the University of California, San Diego, USA and Visiting Chair Professor of Humanities at Shanghai Jiao Tong University, China

Inhaltsangabe

1. Introduction: New Chinese-Language Documentaries Part 1: History and
Politics 2. The History of Documentary Filmmaking in Mainland China 3. The
Vision and Voice of New Taiwan Documentary Part 2: Theory and Ethics 4.
Independent Documentary and Social Theories of Space and Locality 5.
Subject to Movement: Wu Wenguang and the Ethics of Self Part 3: Subject and
Gender 6. New Subjectivities in Women's Documentary Films 7. The Other as
Interlocutor: 'Voices of the People' in Taiwan's Documentaries Part 4:
Place and Migration 8. Empowering Place: Jia Zhangke's Post-Nostalgic
Assemblage of Shanghai 9. Migration Documentaries and the Vision of
Cosmopolitanism Part 5: Exhibition and Circulation 10. YIDFF and Taiwan
Documentary in the International Arena 11. The Circulation of Mainland
Chinese Independent Documentary